Densely plotted, replete with violent incident, and strenuously uncomplicated in its moral sympathies from beginning to end.

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GONE COLD

Former U.S. Marshal Simon Fisk goes in search of the daughter whose abduction 12 years ago started his second career as the Finder.

The reason Simon has spent those intervening years looking for other people’s children (Good as Gone, 2013, etc.) instead of his own is that he was convinced that Hailey was as dead as Tasha, the wife who took an overdose of sleeping pills after the FBI couldn’t recover the 6-year-old she left alone for a moment in her Georgetown backyard. But when Simon’s consultant hacker, Kati Sheffield, sends him a computer-generated picture of Hailey at 18 along with a photo of a real-life woman the Garda are seeking on suspicion of stabbing Dublin private eye Elijah Welker to death with a Guinness bottle, he can’t resist Kati’s suggestion that the two images look an awful lot alike. Next thing you know, he’s at the Dublin airport shaking hands with DCI Damon Ashdown, the first of many actors who’ll be playing double roles in a world in which, as Simon soon learns, “British gangsters do things differently.” The trail of the maybe-Hailey takes Simon and Ashdown and Zohanna Carlyle, a 40-something wild child who turns out to have close ties to both of them, from Dublin to Glasgow to Liverpool to London, with Simon dispensing condign justice to any miscreants who scurry across their path along the way, until he finally confronts an East End kidnapper better armed and better prepared for their meeting than Simon but still gobsmacked by the climactic surprise Simon has in store for him.

Densely plotted, replete with violent incident, and strenuously uncomplicated in its moral sympathies from beginning to end.

Pub Date: Aug. 18, 2015

ISBN: 978-1-250-06578-0

Page Count: 320

Publisher: Minotaur

Review Posted Online: June 1, 2015

Kirkus Reviews Issue: June 15, 2015

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Amateurish, with a twist savvy readers will see coming from a mile away.

THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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