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ELEANOR RIGBY

Extremely funny yet quite moving (and even plausible): could be one of the first great novels of the new century.

A remembrance of things past that turns inexplicably into a harbinger of the apocalypse—as well as Coupland’s (Hey Nostradamus!, 2003, etc.) weirdest and most accomplished work to date.

Liz Dunn, unmarried and unattached, works as a cubicle clone at some communications firm in Vancouver and appears to have few passions, obsessions, vocations, or hobbies. One night, however, she’s struck by a bolt out of the blue—almost literally—when a fragment of a meteorite lands a few feet away from her in the parking lot of her local supermarket. All at once, her life begins to change: she becomes hopeful, lighthearted, and about as euphoric as a Canadian can be. Shortly thereafter, she even receives a telephone call from the Mounties asking her to stop in at a nearby hospital, where a young man has been admitted who claims to be her son—as, in fact, he is. Jeremy is the fruit of a one-night stand in Rome on a high school trip 20 years before, but Liz put him up for adoption immediately after his birth and never saw him again. Now, he has multiple sclerosis and is suffering from hallucinations brought on by drugs. Liz immediately assumes responsibility for his care, then slowly begins to recall the events of that long-ago summer in Rome. When police contact her and ask her to assist them in a difficult and extremely bizarre investigation, she even gets summoned to Vienna to meet the boy’s father, whose name she has forgotten. En route, she inadvertently causes an international incident, shuts down one of the largest airports in the world, and ends up in jail. But she does it all with as little fuss as possible and manages to make her way to a happy end.

Extremely funny yet quite moving (and even plausible): could be one of the first great novels of the new century.

Pub Date: Jan. 1, 2005

ISBN: 1-58234-505-8

Page Count: 256

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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