by Douglas Evans ‧ RELEASE DATE: May 1, 2000
An endearingly eccentric family settles into the elevator and hearts of the patrons and employees at the San Francisco Hotel in this over-the-top tale from Evans. No room at the inn is no problem for the intrepid Wilsons; Mr. and Mrs. and their twin ten-year-olds, Winslow and Whitney, simply set up camp in the hotel’s elevator. From their mobile abode, they cheerfully offer advice and hospitality to everyone who “visits” their room. The gregarious Wilsons are true humanitarians, helping out their fellow travelers; providing insights into the opposite sex for a lovelorn teenager; and offering companionship for a lonely salesman. They are delightfully insouciant about their unusual accommodations, and Evans’s campy humor will have readers groaning with glee. When questioned about life in an elevator, the twins reply, “It had its ups. . . . And downs.” Evans works out the intricacies of life on board an elevator with aplomb, neatly making the implausible seem possible. Throughout their adventures, the Wilsons maintain their affability. Even the ungrateful attitude of the kidnapped heiress they rescue fails to quell the good nature or good will of the irrepressible Wilsons. Brief chapters loaded with wry humor keep readers’ interest high and are a great draw for reluctant ones. A wacky, warm-hearted tale. (Fiction. 8-12)
Pub Date: May 1, 2000
ISBN: 0-385-32723-4
Page Count: 96
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: Sept. 1, 1996
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating...
Nicholas is a bright boy who likes to make trouble at school, creatively.
When he decides to torment his fifth-grade English teacher, Mrs. Granger (who is just as smart as he is), by getting everyone in the class to replace the word "pen'' with "frindle,'' he unleashes a series of events that rapidly spins out of control. If there's any justice in the world, Clements (Temple Cat, 1995, etc.) may have something of a classic on his hands. By turns amusing and adroit, this first novel is also utterly satisfying. The chess-like sparring between the gifted Nicholas and his crafty teacher is enthralling, while Mrs. Granger is that rarest of the breed: a teacher the children fear and complain about for the school year, and love and respect forever after.
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating tale—one to press upon children, and one they'll be passing among themselves. (Fiction. 8-12)Pub Date: Sept. 1, 1996
ISBN: 0-689-80669-8
Page Count: 105
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
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by Andrew Clements & illustrated by Mark Elliott
by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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