An intricately plotted tale of revenge.
A bereaved young Frenchman takes aim at British power and privilege as he sets about avenging his family in Gosselin’s thriller.
Jean-Paul Martineau, after he and his Huguenot family flee to Britain in the 1720s, leap from the proverbial frying pan into the fire after his merchant father, René, runs afoul of entrenched mercantile interests. Jean-Paul rapidly loses his loved ones in a tragic tale that climaxes with trumped-up treason charges and capital punishment for his father.Oddly, rather than escape with the son he’s grooming for greatness (“It's all arranged. A ship will be waiting”), René passes on a more basic remit: “Survive. And make them pay.” It’s one of several suspensions of disbelief that’s required in following Jean-Paul to 1750s-era Boston, where colonial resentment against British oppression is simmering and gathering steam. Without missing a beat, Martineau assumes the quintessentially anonymous persona of “Mr. Smith” as he seeks to determine who can be compromised for the brewing revolutionary cause. The final shots of the Revolutionary War rang out nearly 300 years ago, yet readers’ fascination with the conflict, and its runup, has never abated, as this taut thriller suggests. Gosselin presents a world of cold pragmatism, served in crisp, pithy aphorisms (“Practical men live to see revolutions succeed”), with characters driven by the promise of money or opportunity; the novel also includes some larger-than-life figures, including George Washington, Thomas Paine, and Benjamin Franklin, to name a few. Plots and counterplots unfold at dizzying speed as Jean-Paul seeks to repay a nearly 40-year-old debt, and the story’s resolution is most unexpected. Some readers may be reminded of the AMC series Turn: Washington’s Spies, and fans of that show should feel right at home here.
An intricately plotted tale of revenge.Pub Date: May 3, 2025
ISBN: 9781968000479
Page Count: 438
Publisher: N/A
Review Posted Online: May 8, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
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