The prolific Kennedy (Leaving the World, 2010, etc.), known mainly in the U.K. and France, deserves a wider readership in...

THE PURSUIT OF HAPPINESS

Ex-pat Kennedy’s stateside calling card is a ponderous tale of doomed love set in McCarthy-era Manhattan.

The story begins with Kate, a middle-aged ad woman and divorced single mom whose own mother has just died. At the funeral Kate notices a striking older woman, and begins to get urgent phone calls from a mysterious Sara Smythe. When she agrees to meet Sara she has no idea that this distinguished woman of letters has been following Kate’s entire childhood since her father, Jack Malone, died when Kate was a toddler. The scene shifts to Sara’s POV, beginning in the post–World War II years. Sara and her homosexual brother Eric have fled Hartford, Conn., and their stodgy WASP parents for Gotham, bent on artistic careers. After publishing a well-received short story, Sara nets a prime columnist spot on a weekly magazine. Eric flirts briefly with the Communist party, but after failing as a working-class dramatist, he becomes a lavishly paid writer on a primetime NBC variety show. Sara is almost over her one-night stand with Army sergeant Jack Malone—after they declared undying love, he abruptly cut off communication. When she runs into him in Central Park, the romance rekindles. Eric, however, makes no secret of his disgust for “Brooklyn mick” Jack. When Eric refuses to give up his former Party associates to HUAC, he’s fired, blacklisted and shortly thereafter drinks himself to death. Devastated, Sara is still grateful for Jack’s support until she learns that Jack, himself in fear of losing his PR job, ratted Eric out to the FBI. Back in the present, Kate learns that she has received an unexpected gift, not the least of which is an important lesson in forgiveness. Although an anodyne ending makes for a disappointing anticlimax, this weighty tome is as readable as the '50s bestsellers it channels. 

The prolific Kennedy (Leaving the World, 2010, etc.), known mainly in the U.K. and France, deserves a wider readership in his native United States.

Pub Date: Oct. 19, 2010

ISBN: 978-1-4391-9912-1

Page Count: 592

Publisher: Atria

Review Posted Online: Aug. 20, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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