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ROLLING PENNIES IN THE DARK

A MEMOIR WITH A MESSAGE

A combative addition to the literature of the war on poverty.

Political writer and former White House and Pentagon official MacKinnon (Vengeance is Mine, 2010) recounts his poor childhood with alcoholic parents in a forceful commentary about poverty.

At age six, the author saved his parents from a candle fire (the electricity was, typically, cut off) by tossing a toy bucket of water over the burning mattress on which they lay in an alcohol-induced coma. At eight, he and his siblings were abandoned in a car to succumb to hypothermia while his parents waited out the snowstorm in a bar. By nine, he ducked a shooting rampage by his mother; by 13, he had been stabbed in a gang fight; by 17, his family had been evicted more than 30 times. MacKinnon addresses his pain in a raw voice, with little forgiveness for his criminally neglectful parents. The author eventually fought his way out of poverty and into college, crediting intervening relatives, supportive teachers, love of reading and writing, faith and determination to save his siblings and himself. MacKinnon takes great pride in the fact that he never fell into a life of crime because of his roots and has no sympathy for those who have, a view that dominates later chapters. As a writer for the Reagan White House and director of communications for Bob Dole, MacKinnon hit his stride and honed his stance on poverty. For him, poverty is a moral issue that can only be solved by a collective commitment by legislators to truly understand the experience. The “message” portion of the book would be stronger if he offered a more specific plan for making this happen, and the vitriol he engages in while condemning enemies of the poor (the liberal media and teachers unions) is off-putting. The emotionally and politically charged writing is repetitive and lacks the sophistication and poetry of similar childhood horror stories by Mary Karr and Jeannette Walls. MacKinnon’s powerful example is consistently fueled by his desire to help others and by his laudable perspective that individuals must make use of their gifts despite the odds.

A combative addition to the literature of the war on poverty.

Pub Date: Feb. 28, 2012

ISBN: 978-1-4516-0788-8

Page Count: 256

Publisher: Howard Books/Simon & Schuster

Review Posted Online: Jan. 8, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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