Pendergast—an always-black-clad pale blond polymath, gaunt yet physically deadly, an FBI agent operating without supervision...
Preston and Child’s (Cold Vengeance, 2011, etc.) thriller completes the Helen trilogy featuring the weird and unworldly Aloysius Pendergast, special agent for the FBI.
The conclusion opens with Pendergast called to meet Helen, the wife he presumed dead, in New York City’s Central Park. There’s a touching, tentative reunion, and then Der Bund strikes again, kidnapping Helen and leaving Pendergast wounded. Pendergast offers a treatise on detection perfection, tracing Helen from hither and yon to Sonora, Mexico. There’s another shootout. Helen’s killed, and principal bad guy, Wulf Konrad Fischer, escapes. Pendergast retreats to his Dakota apartment in New York City and into a grief-and-guilt-driven drug addiction. Friends intervene. Lt. D’Agosta, city police detective, pleads for Pendergast to help search for a serial killer. Corrie Swanson, criminal justice student, is in danger after stumbling on a Nazi safe house in her quest to help Pendergast. With Pendergast’s aid, Corrie takes refuge with her estranged father, only to find him framed for a bank robbery. Psychiatrist Dr. John Felder discovers the institutionalized Constance Greene may truly be a century and a half old. Pendergast, intrigued by the bizarre serial murders, applies DNA analysis, which leads him to think the murderer is his brother Diogenes, a villain supposedly dead in a Sicilian volcano. Further analysis reveals truths even more grotesque. The most simplistic of the narratives follows Corrie clearing her father; the most gothic follows Felder seeking proof of Greene’s age; and the most violent follows Pendergast as he uncovers secrets about Helen and then takes revenge by breaching a Nazi refuge in Brazil. Pendergast’s narrative offers angst and ample bloodletting in gothic locales and confrontations with the issue of Mengele’s twins experiments mated with quantum mechanics and genetic manipulation. If Preston and Child fans haven’t read the first two volumes in the Helen trilogy, confusion will reign.Pendergast—an always-black-clad pale blond polymath, gaunt yet physically deadly, an FBI agent operating without supervision or reprimand—lurks at the dark, sharp edge of crime fiction protagonists.
Pub Date: Dec. 11, 2012
Page Count: 480
Publisher: Grand Central Publishing
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Pub Date: March 17, 2020
Page Count: 352
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by James Patterson ‧ RELEASE DATE: Nov. 5, 2003
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...
Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.
According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.
Pub Date: Nov. 5, 2003
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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