An artful, beguiling voyage to a place no one wants to go.
A jumpy, bare-bones plunge into the vortex of one man’s madness.
In staccato chapters dealt out like a deck of cards–snappy, latent, repeating–Richardson tracks Zachary R.’s descent into psychosis. It is not a combustible event, but rather quotidian, and its very everydayness makes it especially creepy and troubling. Richardson explores the faults and folds of Zachary’s life–his father’s obsession with chess, his mother’s comic-but-for-its-ramifications death, the concussive darkness of his marriage, his daughter’s colorful waywardness–in writing that has the elemental quality and dreamy, out-of-body remoteness of black-and-white photography. The author frequently makes forays into an experimental tone, as if tasting the words–“She returned home like scurvy over anemia” or “the private nature of file clerks.” Though Richardson keeps a tight rein on his metaphors, an occasional hackneyed “reverent as stained glass at dawn” also crops up. Repetition is a powerful leitmotif in the author’s arsenal–“He considered the definition of insanity: ‘to do the same thing over and over and expect different results.’ ”–and he deploys it with a Hitchcockian fatality. He introduces Zachary’s madness and then circles back to introduce it again. Diverting customers appear and reappear to usher Zachary toward his rewards, talismanic elements hit the reader like doomful claps of thunder–brass knuckles, chess pieces, rivers and women. Richardson tenders characters that, due to the story’s brevity and swiftness, are quickly sympathetic and pack a compressed punch. It is not much of a stretch to identify with Zachary’s helpless gibbering, and his masochistic wife (“she received her beating, which made her whirl and pop”) is plain unnerving. Episodes of bleak humor lighten Zachary’s passage–a snail crawling the grounds of the asylum speaks to the patients, “but would do so selectively so as not to worsen their already fragile psyches.” Still, this Mobius strip of misery will inevitably take a detour to Zachary’s oblivion.
An artful, beguiling voyage to a place no one wants to go.Pub Date: Sept. 23, 2009
ISBN: 978-0-9842424-1-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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