A vivid book guaranteed to make readers more aware of what it takes to get that cellphone signal into his or her hand, for...
A memoir from a young “fourteen-dollar-an-hour cog in a thankless deadly wheel.”
For some people in this world, their routines involve drinking beer in lawn chairs set up in the parking lots of small-town hotels, then getting up to climb hundreds of feet into the air to construct and maintain the cellphone networks that the rest of us depend on. It’s dangerous work—the most dangerous job in the world, by the measure on which this narrative hinges, and one that has already taken the lives of many of the people portrayed here. In 1997, sometime screenwriter and playwright Delaney exchanged the ivory for the steel tower and made his first “tower dog” ascent into the sky over Kansas in freezing weather. “This would not be so bad,” he writes, instantly adding, “But for the next 200 feet and the next eleven hours it was very, very bad.” His fellow climbers are philosophical, if stoically resigned to the pain, discomfort, and danger of their work. They are also masterful technicians, and if nothing else, readers will learn what 4G means and how cellphone towers work. Throughout, the author plays a few writerly tricks, including protesting his writerly status (“I never called myself a writer. I never introduced myself as a writer and I was always uncomfortable when I was introduced as a writer”), but these are minor annoyances in a readable book whose larger import is in depicting a world that very few people would want to explore firsthand, somewhere between the blue-collar and the high-wire. Delaney is unfussy and workmanlike, and if he never attains the philosophical depth of, say, Matthew Crawford’s Shop Class as Soulcraft (2009), he delivers a persuasive, whole-sighted view of a highly specialized pursuit.
A vivid book guaranteed to make readers more aware of what it takes to get that cellphone signal into his or her hand, for better or worse.Pub Date: April 11, 2017
ISBN: 978-1-61902-938-5
Page Count: 352
Publisher: Soft Skull Press
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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