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MOTHERS OF INVENTION

WOMEN OF THE SLAVEHOLDING SOUTH IN THE AMERICAN CIVIL WAR

A wonderfully researched chronicle of a largely unexamined social elite that enriches the fields of Civil War and women's studies. Herself a descendant of generations of southern ``ladies,'' Civil War historian Faust (Univ. of Penn.) sought to write a book of scholarly rigor that also could have been read by her deceased mother and grandmothers. She succeeds by eschewing an overarching—and possibly limiting—political or psychological theory and relying on the voices of Confederate women themselves. Through diaries of more than 500 Lizzies, Nellies, and Lucys (along with a broad sampling of Confederate popular culture), Faust details how well-bred Confederate women aimed to maintain their antebellum social standing while redefining their place as public members of society and watching a war reshape the culture around them. They attempted to become useful Confederate patriots without leaving the ``feminine sphere,'' as one woman put it in a letter to the New Orleans Daily Picayune. They learned degrading physical tasks like weaving cloth and dyemaking, but only against their faraway husbands' will and their own misgivings. They entered the work force as hospital matrons, treasury clerks, and teachers, but they were advised to seek not ``equality'' but ``equivalence'' by an author taking on the question of nature vs. nurture in gender differences. Even their art, which blossomed during the war, radiated equivocation. A bestselling Confederate novel, Augusta Jane Evans's Macaria; or, the Altars of Sacrifice (1864) eventually upheld the tradition of ``Womanly Usefulness'' but did so through a heroine whose embrace of both the domestic and public spheres skirted dangerously close to androgyny. These women, Faust claims, confronted the home front while upholding an ``ambiguous tradition of seemingly contradictory strength and frailty.'' Though repetitive at times in its inclusiveness, this is a fine, caring social history that also offers surprising insights into the development of the southern American woman's consciousness. (38 b&w illustrations, not seen)

Pub Date: March 4, 1996

ISBN: 0-8078-2255-8

Page Count: 384

Publisher: Univ. of North Carolina

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1996

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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