Not the strongest espionage tale in the series, but still an entertaining one.
In this seventh installment of the Spies Lie series, a talented young hacker seeks revenge on behalf of her dead boyfriend.
After Charlette DeSpain’s boyfriend Martin Burns is falsely accused of stealing government secrets and meets a suspicious end in prison, she devotes her entire existence to becoming an ace computer hacker and using those skills to clear his name posthumously. Frustrated by the lack of interest in her findings, “she decided to try anything she thought had a chance of working, even if there were side casualties. They all deserved to die.” When Charlette—now known as the CypherGhost—tries to hack and crash a plane containing fellow hacking genius Ann Silbey Sashakovich, Ann thwarts the attempt using her own special abilities. Despite initially being at odds, the two young women team up when the government rounds up computer hackers—black and white hats alike—and sends them to concentration camps in the West (“There are two in the Nevada desert, three in the Utah mountains, five in Wyoming, and one in northern Arizona”). But despite a steamy romance with Ann, the devious CypherGhost may not be the ally she appears to be. When Ann and the CypherGhost both swallow highly advanced nanodevices that allow them to hack from inside their own heads, the stakes quickly escalate. Kane (ProxyWar, 2016, etc.) has produced his most outlandish espionage saga yet, and while one doesn’t doubt that the purported former spy has drawn on some elements of truth for his latest book, it feels much less grounded in reality than the previous series installments. Kane’s novels are always packed with enough terrifying detail to feel at least moderately plausible, if not horrifyingly prescient, but once his all-star hacker team deviates from computers and manipulates members’ brains, things start to feel less like Robert Ludlum and more like The Matrix. Nevertheless, the colorful cast of characters remains as engaging as ever, even as the story goes increasingly off the rails.
Not the strongest espionage tale in the series, but still an entertaining one.Pub Date: Nov. 21, 2016
ISBN: 978-0-9862321-9-0
Page Count: -
Publisher: The Swift Shadow Group
Review Posted Online: Jan. 12, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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