Next book

THE DEVIL'S JURY

A MYSTERY NOVEL

A whodunit with a solid premise, brought down by subpar writing and characterization.

A series of violent crimes in Boston casts suspicion on a group of friends in Kaplan’s debut mystery.

Keith Gallon, Larry Gallon, Dan Daniels, Sheryl Common, and Ben Freeman are core members of the Devil’s Jury, an informal social group that meets regularly for drinks, discussion, and a hearty dose of complaining. The group’s topics range from the broad (religion, politics, society) to the narrow (an endless local construction project that’s ruining everyone’s commutes). But the group’s casual venting seems more ominous after a worker is murdered at the construction site, apparently the victim of a sniper. Police detective Dahlia “Dizzy” Gillespie is on the case but struggles to find any leads. Soon, another subject of the group’s complaints winds up dead: greedy lawyer Carl Monroe, who made Larry’s divorce far lengthier, costlier, and angrier than it had to be. Assistant District Attorney Rob Latrobe teams up with Dizzy to investigate, which soon leads them to the Devil’s Jury, and they suspect that one or more of its members may be a killer. Meanwhile, the Jury struggles with its own internal strife, stemming from romantic complications among its members. After one of them dies and another disappears, Dizzy must follow the rest of the Devil’s Jury to find a possible murderer. The plot is an intriguing one, and both Rob and Dizzy are well-developed, likable characters; interludes featuring Rob and his sharp-witted wife, Kim, while technically unrelated to the plot, are sweetly written and enjoyable. The members of the titular Devil’s Jury, however, are less successfully drawn. Although the story provides background for each one of them, they remain indistinct enough that readers will find it easy to get them confused. The prose is often awkward and error-prone; the first chapter, for example, opens with the confusing line, “Some human activities go well, mean well, like the moon but can influence life, or even death,” and a later paragraph begins, “Dizzy helped Keith gather up his stuff, and subtly glancing through it.”

A whodunit with a solid premise, brought down by subpar writing and characterization.

Pub Date: Nov. 14, 2016

ISBN: 978-1-4834-6017-8

Page Count: 182

Publisher: Lulu

Review Posted Online: Feb. 10, 2017

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview