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FLYIN' KAI

A PELICAN'S TALE

Avian characters inspire in this appealing environmental tale.

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A pelican explores an Earth that humankind has all but destroyed in this debut eco-fiction novel.

Young Kai wants to be the fastest pelican alive. His latest kick is “speed diving,” and his father’s insistence to be more careful doesn’t deter him. Kai yearns for something beyond his Anacapa Island home. He decides his destination is the Magical Mountain. This place, once the Creator’s home according to pelican lore, has lost its magic thanks to humanity’s destruction of nature. Still, Kai leaves his family behind to search the mainland, aka the Endless City (read: California). Along the way, he chats with many animals (mostly avian) and teams up with Pancho, a Baja-based blue-footed booby. Sadly, they witness some of the worst human-caused destruction and pollution. But when a heavy storm forces its way to the coastline, Kai does what pelicans have long been taught—he helps others as much as he can. Duncan P. Forgey’s strong environmental message makes an impact as Kai and Pancho witness the extreme degradation of the planet. The duo’s interactions introduce a lively cast to readers, including ospreys, albatrosses, a more ominous one-eyed raven, and sea lions. Kai evolves from a naïve youngster to a mature pelican as he and the ever reliable Pancho get a panoramic view of radiant landscapes. For example, they bask in the sea’s “blue horizon” and the sunrise’s explosion of colors (even “man’s floating trash” spawns a “purple-gray haze”). The novel is rounded out by striking black-and-white artwork from B. Duncan Forgey, the author's nephew, featuring the woeful eyes of a spotted owl and the whiplike tail of a thresher shark popping out of the ocean water.

Avian characters inspire in this appealing environmental tale.

Pub Date: March 24, 2022

ISBN: 978-1-63937-116-7

Page Count: 250

Publisher: Dorrance Publishing Co.

Review Posted Online: Aug. 5, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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