Simply spellbinding.
The elders say that humanity currently resides in the fifth tonatiuh, or sun. Here’s the story of how humans came to be.
The preceding four tonatiuhs bore witness to failed trials. First, the gods covered sacred bones with mud, but these giant humans proved too fragile, becoming mountains in the end. The second set of humans, smaller than the first, developed into fish. Under the third tonatiuh, the enraged gods turned the rebellious humans into monkeys. The fourth tonatiuh resulted in the latest, lazy humans assuming the form of birds. At this point, the gods conceded any hope of creating humans, all except for Quetzalcóatl, the Feathered Serpent. Taking along his staff, shield, cloak, and shell ornament, Feathered Serpent travels to Mictlán, the underworld, to retrieve the sacred bones from Mictlantecuhtli, the lord of the underworld. To reach where Mictlantecuhtli dwells, Feathered Serpent journeys through nine regions, each region a test of his bravery and perseverance. Accompanied by a dog spirit guide named Xólotl, Feathered Serpent succeeds in his journey. Full of warm landscapes bathed under the sun’s light, multicolored night skies set against stars, and cavernous walls of rugged browns, Tonatiuh’s artwork—familiar in form, electric in spirit—astonishes in this retelling of a Mesoamerican creation story. Told with succinct clarity and a hint of mischief, this rendition begs for rereads. Here’s a new high-water mark for the artist. (This book was reviewed digitally with 9-by-22-inch double-page spreads reviewed at 77.1% of actual size.)
Simply spellbinding. (author’s note, glossary, select bibliography) (Picture book/cosmology. 6-9)Pub Date: Sept. 1, 2020
ISBN: 978-1-4197-4677-2
Page Count: 40
Publisher: Abrams
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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