A fine collection to share, whether read aloud or told.

THE COMING OF THE UNICORN

SCOTTISH FOLK TALES FOR CHILDREN

Gather the bairns and the grown folk and set sail for a fine collection of Scottish tales retold by a master storyteller.

Williamson was celebrated for a lifetime of traveling the byways of Scotland, collecting and telling tales. In these 18 stories, broonies, fairies and, of course, a unicorn cross paths with common folk on a regular basis. There’s a lesson to be learned from each tale, about friendship, kindness, sharing or doing one’s duty. Also inherent in most of the tales is a strong respect for nature and for animals. Womankind fares quite well here, as princesses and poor girls strike out on their own and succeed. In "House of the Seven Boulders, a mother with magical gifts doesn’t hesitate to do in her own seven destructive sons. Storytellers will recognize many of the motifs and marvel at the familiarity of "The Tailor and the Button." The writing is nicely flavored with Scottish words and phrasing that have not been Americanized. (Occasionally, this results in words that have far different meanings in each country.) As his daughter notes in her introduction, Williamson believed that stories, unlike toys, can “last you the entire time of your life.”

A fine collection to share, whether read aloud or told. (glossary) (Folklore. 8 & up)

Pub Date: Aug. 1, 2012

ISBN: 978-0-86315-868-1

Page Count: 144

Publisher: Floris

Review Posted Online: June 13, 2012

Kirkus Reviews Issue: July 1, 2012

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An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

WORDS WITH WINGS

In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.

Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

Pub Date: Sept. 1, 2013

ISBN: 978-1-59078-985-8

Page Count: 96

Publisher: Wordsong/Boyds Mills

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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Lovingly crafted metafictive silliness both experimental and engaging.

THE BOOK THAT NO ONE WANTED TO READ

Comedian and actor Ayoade explores storytelling and books themselves.

Readers are quickly introduced to the premise: The narrator of this book…is the book itself. Directly addressing the audience, the narrator waxes philosophical about judging books by covers before plunging readers into a story told in second person about a child who finds “a particular Book That No One Wanted To Read” on a library shelf. Interspersed with imagined, telepathic dialogue between reader and book, this delightfully droll work casually covers everything from footnotes to story structure; information about excess unwanted books being “pulped” by publishers leads to a gag about the book not wanting to be recycled into toilet paper. The design is clean, with different fonts effectively used to maintain speaker clarity, and facts about books blend beautifully with wacky, tongue-in-cheek illustrations. The character “you” is a reader stand-in with a humorous composite depiction (and so lacks race, gender, or any other identity, though other people depicted throughout are diverse in skin tone). In many ways a spiritual successor to B.J. Novak’s The Book With No Pictures (2014), the book (and Book, the character) will encourage readers to approach literature with a sense of play.

Lovingly crafted metafictive silliness both experimental and engaging. (Illustrated fiction. 8-12)

Pub Date: March 14, 2023

ISBN: 978-1-5362-2216-6

Page Count: 128

Publisher: Walker

Review Posted Online: Dec. 24, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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