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THE COMING OF THE UNICORN

SCOTTISH FOLK TALES FOR CHILDREN

A fine collection to share, whether read aloud or told.

Gather the bairns and the grown folk and set sail for a fine collection of Scottish tales retold by a master storyteller.

Williamson was celebrated for a lifetime of traveling the byways of Scotland, collecting and telling tales. In these 18 stories, broonies, fairies and, of course, a unicorn cross paths with common folk on a regular basis. There’s a lesson to be learned from each tale, about friendship, kindness, sharing or doing one’s duty. Also inherent in most of the tales is a strong respect for nature and for animals. Womankind fares quite well here, as princesses and poor girls strike out on their own and succeed. In "House of the Seven Boulders, a mother with magical gifts doesn’t hesitate to do in her own seven destructive sons. Storytellers will recognize many of the motifs and marvel at the familiarity of "The Tailor and the Button." The writing is nicely flavored with Scottish words and phrasing that have not been Americanized. (Occasionally, this results in words that have far different meanings in each country.) As his daughter notes in her introduction, Williamson believed that stories, unlike toys, can “last you the entire time of your life.”

A fine collection to share, whether read aloud or told. (glossary) (Folklore. 8 & up)

Pub Date: Aug. 1, 2012

ISBN: 978-0-86315-868-1

Page Count: 144

Publisher: Floris

Review Posted Online: June 12, 2012

Kirkus Reviews Issue: July 1, 2012

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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PERCY JACKSON'S GREEK GODS

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.

Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.

Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)

Pub Date: Aug. 19, 2014

ISBN: 978-1-4231-8364-8

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: June 28, 2014

Kirkus Reviews Issue: July 15, 2014

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