This thought-provoking tale makes a strong argument for letting go of past pain.
A novel examines the impact of a father’s suicide on his son.
Jimmy Lansford had a hard childhood in rural Oklahoma, but he seems to have come out well. He has a well-paying job and he and his wife, Jill, and their children, Jonathan and Jessica, live in an upper-class neighborhood near Phoenix. Yet Jimmy is a haunted man, scarred by his past. His father, Ronnie, killed himself when Jimmy was 15 years old and his sister, Kelly, was 12. They were left living with their meth addict mother until Jimmy escaped to college. It’s slowly revealed that Kelly wasn’t as lucky. Strange things start to happen to Jimmy when Jessica is about to turn 12. First, on a business trip, he spies someone in his room through a window, but there’s no trace of anyone there when he races back. Then, at Jessica’s birthday party, he senses a presence with him in his bathroom. Jimmy reaches his breaking point when he finds muddy, inexplicable footprints in his bedroom. This leads the former cross-country star to sneak out his bedroom window and nearly run himself to death, ending up hospitalized with dehydration. Jimmy thinks he’s possessed. Those around him want to chalk up his behavior to survivor’s guilt. The truth lies somewhere in between. McKissen (The Civil War at Home, 2018) paints a well-conceived portrait of a troubled man, utilizing Jimmy’s journey through life. The author cleverly alternates between the present and Jimmy’s formative years, slowly unreeling the protagonist’s past so that readers can understand why such a good man is struggling despite his circumstances. Kelly hangs over the entire tale, as Jimmy blames himself for her tragic fate, thinking his departure ultimately doomed her. His intriguing backstory is a tale of missed opportunities. Things would have been different if Jimmy had been willing to reach out more fervently to Mike Carlisle, the cop who had taken an interest in the Lansford siblings after Ronnie’s suicide. The effective ending involves Jimmy's informing his family about the hurt he’s carried all these years.
This thought-provoking tale makes a strong argument for letting go of past pain.Pub Date: Oct. 31, 2019
ISBN: 978-1-68433-364-6
Page Count: 152
Publisher: Black Rose Writing
Review Posted Online: Sept. 30, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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