Another top-notch effort by Murphy, one of the most distinctive of young crime-oriented novelists.
Strange things are happening in the Massachusetts resort town of Buzzards Bay, where a group of old college friends has reunited at a large summer house.
Jim, the narrator, a lawyer, inherited the ancestral home and turned it into a retreat for his circle of close friends. He and his wife, Valentina, and twin children are joined there by Maya, an art teacher, and her pregnant wife, Shannon; Rami, a diplomat who spends much of his time in Europe; and Jim’s late-arriving, ill-tempered best friend, Bruce, writer of a popular series of crime-solving novels about a philosophy professor. A physical brawl between Jim and Bruce and the latter’s subsequent disappearance are the first of a string of odd, unexplained events to pierce the idyllic surroundings. Is the creaking and heaving house “troubled,” as is suggested by a "self-appointed medium” from the local library who convinces Jim to conduct a séance there? The woman fails to make contact with Bruce or anyone else, succeeding only in stirring up unpleasant thoughts among the friends—and between Jim and Valentina in both their waking and dream lives. “Little secrets, all around: Somehow, they never brought me anything but pleasure,” muses Jim. Until they don’t. Though the climax seems forced, the sly, subversive way Murphy undercuts Agatha Christie and Big Chill tropes keeps the reader on edge. As with his previous novel, The Stolen Coast (2023), he makes the most of the coastal setting, advancing the belief of Jim’s forebearers that it has “a special wavelength or disposition” conducive to ghosts.
Another top-notch effort by Murphy, one of the most distinctive of young crime-oriented novelists.Pub Date: June 24, 2025
ISBN: 9780593833179
Page Count: 288
Publisher: Viking
Review Posted Online: May 15, 2025
Kirkus Reviews Issue: June 15, 2025
BOOK REVIEW
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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