An involving installment of an offbeat detective’s journey toward redemption.
While tracking a vengeful sniper, a private investigator slowly begins to form a new family in Florida in Williams’ (Tears of God, 2014) crime novel.
Noah Greene, a fan of such fictional detectives as Sam Spade and Philip Marlowe, left his family and his job as an insurance investigator in Cleveland to become a private eye in Miami. As penance for abandoning his family, he specializes in helping people find missing relatives. He inherited a fortune from one of his clients, so he can pick cases that truly speak to him. In this third volume of Williams’ series, Noah has grown as a detective following a tragedy. His son Jeb was kidnapped in 2014’s Tears of God, and he remains mute and institutionalized months later. Meanwhile, the local police have no love for Noah, as they don’t appreciate amateurs on their turf; he also has to deal with his bickering housemates, journalist Charlie Hall and ex-con Mickey, and his lawyer-turned-lover Kay Woodson. Noah takes on a couple of cases involving a father who disappeared 15 years ago and a Marine sniper who’s suspected of killing his squad-mates. He discovers that neither one is as straightforward as it initially appears, and he and his friends soon find themselves in danger. Williams continues Noah’s education in the school of hard knocks in this thriller, but he engagingly develops the character along the way. Noah is slowly honing his sleuthing instincts, for example, which serve him well, as his clients and witnesses constantly lie to him. He’s also learned how to accept help, taking on Charlie and Mickey as sidekicks. The author does an admirable job of sprinkling false leads throughout for Noah and police detective Seth Larkin to chase. The narrative’s pace follows that of Noah’s investigation, full of starts and stops. However, Noah’s empathy for those he helps is consistent throughout, which does make him sympathetic—despite his ill-conceived decision to desert his own family.
An involving installment of an offbeat detective’s journey toward redemption.Pub Date: Nov. 1, 2018
ISBN: N/A
Page Count: 518
Publisher: Kurti Publishing
Review Posted Online: Jan. 7, 2019
Review Program: Kirkus Indie
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
SEEN & HEARD
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