An involving installment of an offbeat detective’s journey toward redemption.

MY GRAVE IS DEEP

While tracking a vengeful sniper, a private investigator slowly begins to form a new family in Florida in Williams’ (Tears of God, 2014) crime novel.

Noah Greene, a fan of such fictional detectives as Sam Spade and Philip Marlowe, left his family and his job as an insurance investigator in Cleveland to become a private eye in Miami. As penance for abandoning his family, he specializes in helping people find missing relatives. He inherited a fortune from one of his clients, so he can pick cases that truly speak to him. In this third volume of Williams’ series, Noah has grown as a detective following a tragedy. His son Jeb was kidnapped in 2014’s Tears of God, and he remains mute and institutionalized months later. Meanwhile, the local police have no love for Noah, as they don’t appreciate amateurs on their turf; he also has to deal with his bickering housemates, journalist Charlie Hall and ex-con Mickey, and his lawyer-turned-lover Kay Woodson. Noah takes on a couple of cases involving a father who disappeared 15 years ago and a Marine sniper who’s suspected of killing his squad-mates. He discovers that neither one is as straightforward as it initially appears, and he and his friends soon find themselves in danger. Williams continues Noah’s education in the school of hard knocks in this thriller, but he engagingly develops the character along the way. Noah is slowly honing his sleuthing instincts, for example, which serve him well, as his clients and witnesses constantly lie to him. He’s also learned how to accept help, taking on Charlie and Mickey as sidekicks. The author does an admirable job of sprinkling false leads throughout for Noah and police detective Seth Larkin to chase. The narrative’s pace follows that of Noah’s investigation, full of starts and stops. However, Noah’s empathy for those he helps is consistent throughout, which does make him sympathetic—despite his ill-conceived decision to desert his own family.

An involving installment of an offbeat detective’s journey toward redemption.

Pub Date: Nov. 1, 2018

ISBN: N/A

Page Count: 518

Publisher: Kurti Publishing

Review Posted Online: Jan. 7, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...

SPLIT SECOND

Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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