DEFEATING OPERATION HYDRA

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A rising star in the New York District Attorney’s office suffers her first loss, the high profile prosecution of a defendant accused of a grisly homicide, and spirals into an emotional meltdown that ultimately ensnares her in a dangerous web of drugs, violence and terrorism.

Smith, a trial attorney in Atlanta, Ga., makes good use of his professional experience in this debut novel. The early scenes are packed with engaging cat-and-mouse courtroom drama. A devastating cross-examination of the defendant appears to leave little doubt that prosecutor Sharon Weinstock will win another conviction—that is, until a hung jury results in a mistrial. Weinstock is a compelling character—a young attorney who is tightly wound and keeps her life exceedingly well organized. When she unravels, it is in spectacular form, beginning with an uncharacteristic flight to Aruba and a night of drunken abandon. After an improbable tryst with the very defendant she had been trying to convict, Weinstock finds herself involved with a series of psychopathic charmers who test the limits of her courage and previously untapped skills in a deadly contest set against the backdrop of the second Gulf War. The writing is occasionally uneven (and grammarians may cringe at the haphazard switching of tenses throughout the novel), but Smith keeps the tension steady, providing surprising alliances and backstabbers. A satisfying love interest offers moments of respite from the violence that emerges behind every corner. The nature of “Operation Hydra” itself does not emerge until the final chapters. Were it not for the title and the dust jacket details, readers might not immediately suspect the scope of the larger conspiracy. The major premise of the book becomes less important than the adventure itself. And readers who grow to enjoy Weinstock’s sharp mind and indefatigable determination will be pleased that Smith has set the stage for the possible reappearance of his heroine in a sequel. An entertaining page-turner for devotees of international thrillers.

Pub Date: Aug. 1, 2011

ISBN: 978-1462898800

Page Count: 336

Publisher: Xlibris

Review Posted Online: Jan. 23, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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