A rising star in the New York District Attorney’s office suffers her first loss, the high profile prosecution of a defendant accused of a grisly homicide, and spirals into an emotional meltdown that ultimately ensnares her in a dangerous web of drugs, violence and terrorism.
Smith, a trial attorney in Atlanta, Ga., makes good use of his professional experience in this debut novel. The early scenes are packed with engaging cat-and-mouse courtroom drama. A devastating cross-examination of the defendant appears to leave little doubt that prosecutor Sharon Weinstock will win another conviction—that is, until a hung jury results in a mistrial. Weinstock is a compelling character—a young attorney who is tightly wound and keeps her life exceedingly well organized. When she unravels, it is in spectacular form, beginning with an uncharacteristic flight to Aruba and a night of drunken abandon. After an improbable tryst with the very defendant she had been trying to convict, Weinstock finds herself involved with a series of psychopathic charmers who test the limits of her courage and previously untapped skills in a deadly contest set against the backdrop of the second Gulf War. The writing is occasionally uneven (and grammarians may cringe at the haphazard switching of tenses throughout the novel), but Smith keeps the tension steady, providing surprising alliances and backstabbers. A satisfying love interest offers moments of respite from the violence that emerges behind every corner. The nature of “Operation Hydra” itself does not emerge until the final chapters. Were it not for the title and the dust jacket details, readers might not immediately suspect the scope of the larger conspiracy. The major premise of the book becomes less important than the adventure itself. And readers who grow to enjoy Weinstock’s sharp mind and indefatigable determination will be pleased that Smith has set the stage for the possible reappearance of his heroine in a sequel. An entertaining page-turner for devotees of international thrillers.
Pub Date: Aug. 1, 2011
ISBN: 978-1462898800
Page Count: 336
Publisher: Xlibris
Review Posted Online: Jan. 23, 2012
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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