A warm homage to a special bond.
A pet dies. Then what?
“When we open our hearts to animals,” Bartels observes, “death is the inevitable price.” At the age of 5, she grieved for her first pet: a fish. A bird died when she was 9; a friend’s hamster, in her care, unexpectedly succumbed; another fish died when she was in college; and she’s mourned many other animals, too, including several dogs. In her appealing debut book, the author examines the process of grief that follows the loss of a pet, recounting her own experiences; talking with veterinarians, ministers, archaeologists, and many pet owners; reading pet owners’ memoirs; and looking at ways that other cultures deal with animals’ deaths. She also recounts her visits to pet cemeteries, some of which allow humans and pets to be buried together. Japan has established hundreds of pet cemeteries, many operated by Buddhist temples. At Dog Mountain, in St. Johnsbury, Vermont, founded by an artist known for his woodblock prints of his black Lab, a small chapel welcomes pet owners who come to “reflect on and memorialize and remember their pet” with photographs and written tributes. Although Bartels acknowledges that pet ownership falls largely to White Americans with disposable income, she discovered that attachment to pets has a long history. For example, an Egyptologist specializing in animal mummies told her that some mummified animals surely were beloved pets. Grieving pet owners have resorted to taxidermy and even cloning to keep some physical evidence of their pet’s existence. At a cost of $50,000, though, cloning is a choice most people can’t afford. Bartels warmly describes her connections to all of her pets, even her first fish. Pets, she writes, “bolster your emotional state,” accept your hugs and kisses, listen to your most intimate confidences, and provide “companionship, completely without judgment.” Because sadness over an animal’s death is rarely shared, the author hopes her book will help grieving pet owners find solace.
A warm homage to a special bond.Pub Date: Aug. 2, 2022
ISBN: 978-0-358-21233-1
Page Count: 272
Publisher: Mariner Books
Review Posted Online: May 3, 2022
Kirkus Reviews Issue: June 1, 2022
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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