Entertaining if repetitive fictional homage to a momentous period—and a diverting curio for Civil War buffs, as well as...
Veteran Gorman gathers original stories from established genre writers: 18 tales about spies, saboteurs, assassins, frauds, blockade runners, and varied sordid types during the Civil War.
Gorman (Save the Last Dance for Me, p. tktk, etc.) notes in his introduction that although the surviving stories of historical Civil War espionage and covert operations make great reading, they leave enough unanswered questions to inspire fictional exploration. While most of the pieces here use factual locations (Marie Jakober, in “Slither,” takes a grim look inside Richmond’s notorious Libby Prison), personalities (Alan Pinkerton, founder of the detective agency and historical Union spymaster, appears in Ray Vukevich’s “The Swan” and in Robert Randisi’s “The Knights of Liberty”), and events (Sherman’s horrifying march of destruction haunts the burned-out Confederate cavalry in John Lutz’s “Hobson’s Choice”), most of the stories use the war and its aftermath (“The Dead Line,” Kristine Kathyrn Rusch’s bitter revenger, reaches its climax on a British cruise ship in 1911) to highlight familiar conflicts of loyalty and identity in the face of brutal, unconscionable violence. The blasted road to Atlanta could be set in Viet Nam as a wounded Union recruit witnesses evil in the senseless brutality inflicted on Confederate refugees by a squad of Union vigilantes in Loren Estleman’s brief but powerful “South Georgia Crossing.” Just when it seems that every yarn is another variation of war as hell, Edward Hoch (in “The Counterfeit Copperhead”) tells of a confidence man playing both sides against each other, and Bill Crider (in “Belle Boyd, Rebel Spy”) transforms a historic secret agent into a Hollywood action heroine.
Entertaining if repetitive fictional homage to a momentous period—and a diverting curio for Civil War buffs, as well as mystery and western fans.Pub Date: Jan. 1, 2001
ISBN: 0-312-87487-1
Page Count: 304
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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