As for the mystery, it’s a little embarrassing watching the Pulitzer Prize–winning Ferber running around town checking...

MAKE BELIEVE

Back from a long-ago prequel in her hometown (Escape Artist, 2011, etc.), formidable author Edna Ferber returns to the 1950s and to her most unlikely avocation: amateur sleuthing.

When her old friend Max Jeffries, a peerless music arranger whose labors have enriched every screen version of Show Boat, writes a letter in defense of the Hollywood Ten that gets him attacked and blacklisted, his credit removed from the 1951 Technicolor version MGM is about to release, Ferber packs up the galleys of Giant and rushes to his side in support. Five days later, Max, shot to death in his bungalow, is beyond the staunchest support. Or is he? Vowing, “No one murders my friends and gets away with it,” Ferber makes the rounds of Max’s few friends—especially his other two musketeers, aging actor Sol Remnick and Egyptian Theater manager Larry Calhoun, who’ve gone in with Max on several little investments—and his biggest enemies, Ethan and Tony Pannis, whose mobster brother Lenny’s fatal fall from a balcony they blame on Max’s wife, Alice, who’d been married to Lenny until he hit the ground. But all these suspects, whom dyspeptic narrator Ferber sketches in lightning strokes, are upstaged by the blistering double portrait of Ava Gardner, the star of the new Show Boat, and her bantamweight lover and sparring partner, Frank Sinatra. Though Ferber has no use for the classless crooner, desperate to revive his flagging career by getting cast in From Here to Eternity, she brings radiant, insecure siren Gardner to triumphant new life, just as she did with Harry Houdini last time out.

As for the mystery, it’s a little embarrassing watching the Pulitzer Prize–winning Ferber running around town checking alibis. Come for the whodunit, stay for the stargazing.

Pub Date: Nov. 6, 2012

ISBN: 978-1-4642-0080-9

Page Count: 250

Publisher: Poisoned Pen

Review Posted Online: Aug. 29, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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