The ubiquitous TV emcee (his occupation: —personality—) presents a prototypical show-biz autobiography with the significant help of a seasoned amanuensis (All My Best Friends, with George Burns, 1989, etc.). McMahon (Here’s Ed, 1976; Ed McMahon’s Superselling, 1989; etc.) invented a character—a hearty, bibulous Irish salesman and straight man named Ed McMahon—and played it to the fullest. He has appeared on the small screen for an amazing half century. (Somehow, it seems longer.) Before he was a second banana, he performed as bingo caller, door-to-door vendor of pots and pans, and boardwalk pitchman. The carney talent for hokum that he perfected then has endured. The justifiable pride he earned as a marine fighter pilot has also lasted. He has always worked at his profession and now clearly enjoys his perhaps exaggerated fame. (Surely, not everyone in the world knows Ed McMahon?) The core of the book, naturally, is the 30-year gig as a very obsequious Falstaff to Carson’s Prince Hal. He says that much of their repartee was unrehearsed. (Why, then, did it often seem like a slick routine?) Old gags and adventures with Carnac and Aunt Blabby are recalled. There developed a wary fellowship as the two performers went through myriad marriages. McMahon describes his three uxorious escapades and the resultant family relationships. He talks of show-biz folk with an encomium for each (there’s “the great” Dick Clark, “the brilliant” Freddy de Cordova, “the incredible” Jonathan Winters, and “the legendary” Bob and Ray), and there’s a persistent lunge for a one-liner at the end of each paragraph. It’s all in character, like the fabled imbibing. Now, at 75, Ed has cut down to one glass of red wine a day, though he may “cheat a little: it’s still one glass, but I fill it twice.” A gregarious hustler’s autobiography, pure theatrics for those who take a rousing call of “Hi-yoooo!” for wit. (16 pages photos, not seen) (Author tour)

Pub Date: Oct. 22, 1998

ISBN: 0-446-52370-4

Page Count: 368

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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