A collection of solid archival material for a better book.
A memoir about the 1960s that reflects the slapdash spirit of that decade’s underground press.
Sanders is a writer of renown and accomplishment—a published poet, author of prize-winning short stories and a controversial account of the Manson Family murders (The Family, 1971)—yet this hodge-podge shows little evidence of such craft. Instead it functions more like an annotated diary, with entries by topic or date rarely longer than a couple of paragraphs, padded with illustrations that function more as historical artifacts than art. Sanders had his fingers in many of lower Manhattan’s counter-cultural pies: He published a mimeographed arts journal with an obscene name, ran an alternative bookstore, helped to found the notorious Yippie anti-party and “levitate” the Pentagon and proselytized for legalized marijuana and mass fornication in the streets. But he remains best known for fronting the Fugs, a notorious rock band of politically minded poets who landed a major-label contract and (amazingly enough) earned Sanders the cover of Life magazine and spots on national TV. The most extended and hilariously engaging part of the book is a transcript from William F. Buckley’s Firing Line, with Sanders joining the conservative host, a clueless academic, and Jack Kerouac, who had become an alcoholic reactionary, in a discussion that Buckley introduced with, “Our topic tonight is the Hippies, the understanding of which we must, I guess, acquire or die painfully.” The entire program was a joke that only Sanders and occasionally Kerouac seemed to get. The matter-of-fact tone through much of the narrative makes it difficult to distinguish satire from delusion. Of the Fugs, he writes, “Some of the songs on our second album are not what is currently known as PC, or politically correct, and we might not now write them in quite the same way, but they were true to the testosterone-crazed era in which they were created.” One might say the same about the book, except that it was written now, about then.
A collection of solid archival material for a better book.Pub Date: Dec. 13, 2011
ISBN: 978-0-306-81888-2
Page Count: 304
Publisher: Da Capo
Review Posted Online: Oct. 22, 2011
Kirkus Reviews Issue: Nov. 15, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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