Readers are likely to finish the book more confused than illuminated by all the possibilities, theories, and potential...
The author revisits the murder that spawned his best-known book, The Family (1971).
Before the Manson family murders, Sanders (Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side, 2011, etc.) was known primarily as the frontman for the Fugs. He was also a poet and political agitator. Yet his bestselling Manson book was a surprisingly straightforward work of first-rate journalism, and it enjoyed commercial success beyond anything he had previously done. As he explains in this decades-later follow-up, it was the release of a largely forgotten solo album, “Sanders Truckstop,” that brought him to Los Angeles in 1969 and placed him in the midst of the terror surrounding the ritualistic serial murders. The first part of this book is a standard movie-star bio, relating Tate’s ascent from beauty-contest queen to Hollywood sex symbol, with much of it featuring overly long synopses of films that don’t warrant them as well as career curiosities. Tate’s career arc intersects with that of Roman Polanski, soon to be her husband, and the series of strange films he had made or was considering. The book builds, as the author’s earlier one did, to the murders, with lots of warmed-over detail and rumors, reportage, and perspective from the four decades since. “In the over forty years since I first became involved in writing and researching this case, some things have never made sense,” writes the author, who admits that it remains “a lingering mystery” why Tate and the others were targeted. Speculation includes: she wasn’t supposed to be there, she was part of a satanic cult, she knew things she shouldn’t about Sirhan Sirhan, she was involved in a high-profile home pornography ring, and the murders were part of an attempt to cover up previous murders or a contract hit for a drug deal gone bad.
Readers are likely to finish the book more confused than illuminated by all the possibilities, theories, and potential co-conspirators.Pub Date: Jan. 5, 2016
ISBN: 978-0-306-81889-9
Page Count: 304
Publisher: Da Capo
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
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