Readers are likely to finish the book more confused than illuminated by all the possibilities, theories, and potential...
The author revisits the murder that spawned his best-known book, The Family (1971).
Before the Manson family murders, Sanders (Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side, 2011, etc.) was known primarily as the frontman for the Fugs. He was also a poet and political agitator. Yet his bestselling Manson book was a surprisingly straightforward work of first-rate journalism, and it enjoyed commercial success beyond anything he had previously done. As he explains in this decades-later follow-up, it was the release of a largely forgotten solo album, “Sanders Truckstop,” that brought him to Los Angeles in 1969 and placed him in the midst of the terror surrounding the ritualistic serial murders. The first part of this book is a standard movie-star bio, relating Tate’s ascent from beauty-contest queen to Hollywood sex symbol, with much of it featuring overly long synopses of films that don’t warrant them as well as career curiosities. Tate’s career arc intersects with that of Roman Polanski, soon to be her husband, and the series of strange films he had made or was considering. The book builds, as the author’s earlier one did, to the murders, with lots of warmed-over detail and rumors, reportage, and perspective from the four decades since. “In the over forty years since I first became involved in writing and researching this case, some things have never made sense,” writes the author, who admits that it remains “a lingering mystery” why Tate and the others were targeted. Speculation includes: she wasn’t supposed to be there, she was part of a satanic cult, she knew things she shouldn’t about Sirhan Sirhan, she was involved in a high-profile home pornography ring, and the murders were part of an attempt to cover up previous murders or a contract hit for a drug deal gone bad.
Readers are likely to finish the book more confused than illuminated by all the possibilities, theories, and potential co-conspirators.Pub Date: Jan. 5, 2016
ISBN: 978-0-306-81889-9
Page Count: 304
Publisher: Da Capo
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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