SEASONS IN HELL

UNDERSTANDING BOSNIA'S WAR

An angry, impassioned book from a journalist who has seen the Bosnian conflict at its worst. Vulliamy has been covering the war in the former Yugoslavia for the Guardian, winning several awards for his reportage, much of which has gone into this volume. After a pungent historical summary of the troubled nationalities that make up the population of former Yugoslavia, Vulliamy plunges readers headlong into a nightmarish war in which 85% of the dead are civilians, a war stained by concentration camps and genocidal violence. He describes a conflict in which a multiethnic Bosnian state has been caught in a territorial vise between two vicious and unprincipled neofascist states, one Croatian and one Serb; both, he says, are rabidly nationalistic and want to ``re-establish their ancient frontiers with modern weaponry in the chaos of post-communist eastern Europe.'' He describes formerly Muslim villages now ``gutted, charred and lifeless''; concentration camps full of men with skeletal bodies, ``alive, but decomposed, debased, degraded.'' Vulliamy harshly criticizes diplomatic cynicism, referring to the behavior of the European Community, the Russians, and the US as nothing less than a Munich-scale appeasement that has allowed the Serbs and Croats to blackmail, lie, and wheedle their way toward the dismemberment of Bosnia. He makes no effort to hide his distaste for the politicians who engendered the butchery or the diplomats who made it possible. The reporting and the writing are comprehensive and moving, and it is hard to imagine anyone coming away from this volume not feeling enraged and dismayed by events in Bosnia. If readers are seeking an objective and detached history of this conflict, this is the wrong book. However, it is one of the best books to date on the Bosnian tragedy. A powerful and important volume.

Pub Date: Sept. 1, 1994

ISBN: 0-312-11378-1

Page Count: 376

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1994

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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