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WHY BE JEWISH?

A TESTAMENT

One man’s personal call to laggard Jews to study, learn, and seek justice in a broken world. Readers of other persuasions...

The late businessman and philanthropist answers his title’s question with a last testament of sorts.

In the ancient Jewish tradition of an ethical will that dispenses not tangibles but moral principles, Bronfman (The Bronfman Haggadah, 2013, etc.) completed his manuscript just weeks before his death. Describing himself as a secular Jew—not a believer in a singular anthropomorphic authority whose avocation is to check on individual mortals—he finds much that is wonderful in the teachings and traditions of Judaism. He celebrates the warmth of his family relationships, unlike those of his childhood, and he speaks of goodness, not geopolitics, of morality, not dissention. A “cultural Jew,” eschewing rigid ritual, Bronfman teases out meaning from age-old texts. He examines the Hebrew Bible, the Talmud, rabbinic commentaries, exegesis from oral tradition, philosophical writing, and modern interpretations. The author revels in the particularly Jewish toleration of independent thinking and, if need be, argument with God. In this short book, especially relevant to a generation that knows little of its faith and finds little in it, there is a review of the holidays and holy days of the Jewish calendar. The author discusses the moral imperatives of charity, loving kindness, repair of the world, and repair of one’s own spiritual life. Bronfman’s text leans neither to the right nor the left of Jewish thought; it reflects the writer’s own studies. It is all just slightly self-congratulatory, though, as we learn of the good works of his Samuel Bronfman Foundation, his presidency of the World Jewish Congress, and other exemplary efforts. His easily accessible primer concludes on a lengthy, oddly mundane note, in which Moses is presented as providing specific lessons in the art of leadership.

One man’s personal call to laggard Jews to study, learn, and seek justice in a broken world. Readers of other persuasions may also profit from his insight into bits of Jewish thought and practice.

Pub Date: March 22, 2016

ISBN: 978-1-4555-6289-3

Page Count: 256

Publisher: Grand Central Publishing

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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