by Edgardo Vega Yunqué ‧ RELEASE DATE: Nov. 1, 2004
Vega Yunqué is a potent talent, but this effort needed stringent editing—and, possibly, hormone reduction surgery.
Vega Yunqué revisits the busy NYC Lower East Side Puerto Rican–American site of No Matter How Much You Promise to Cook or Pay the Rent (You Blew It Cauze Bill Bailey Ain’t Never Coming Home Again), 2003.
This equally raucous outing focuses initially on the eponymous Omaha, a 35-year-old failed NYU theater major and would-be filmmaker with green-dyed hair who’s been fired from his nothing job at Kinko’s and suffers continual sexual frustrations occasioned by his notorious genital shortcomings. Enter 15-year-old Maruquita Salsipuedes, the borderline-illiterate inheritor of the sorcerous powers brandished by her family’s powerful women brujas (i.e., witches)—who decides Omaha’s “the one,” takes him in tow, and orchestrates a “Ceremony of Enlargement” that makes him unfortunately irresistible to many, many women. Vega Yunqué’s lavish comic imagination fills the narrative with wonderfully offbeat characters: Maruquita’s formidable mother, Flaquita, whose walkup apartment in the Loisaida ghetto contains within itself a lush South American jungle; her brother Samuel Beckett Salsipuedes, enriched by Internet stock trading and working on an enigmatic postmodernist play; Kinko’s communistically devout day manager, Valery Molotov (“stay in progressive groove, dude”); and the several beneficiaries of Omaha’s serial impregnations once the news of his new endowment gets around the ’hood. Vega Yunqué makes it all work for nearly 200 pages as his characters hold forth in hilarious broken Spanglish, Maruquita shapeshifts and makes “magical-realist” mischief, and Omaha resumes his abandoned film career and conquers new horizons—notably and fatefully, WASP princess Winnifred Buckley. But the novel collapses into metafictional mannerisms as Vega Yunqué inserts his opinions into the text ad nauseam, concocting fantasies of uptight rightwing America vs. ethnically vital Latino culture. Even a vivid, wry, tragicomic ending can’t save this one from its own preening excesses.
Vega Yunqué is a potent talent, but this effort needed stringent editing—and, possibly, hormone reduction surgery.Pub Date: Nov. 1, 2004
ISBN: 1-58567-630-6
Page Count: 352
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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