by Edith Wharton ‧ RELEASE DATE: Sept. 1, 1993
A major novel of manners, three-fifths completed at the time of Wharton's death in 1937 and published as a fragment in 1938, has now been finished with impressive spirit and skill by Wharton scholar Marion Mainwaring. The novel, grand in scope and ambition, is set in Saratoga, Fifth Avenue, and London during the roaring 1870's—Wharton's golden age. It's the slightly helter-skelter story of three newly rich (and, in New York, socially unacceptable) American families who—under the tutelage of a high-spirited Anglo-Italian governess, Miss Testvalley (Testavaglia), a first cousin of Pre-Raphaelite poet Dante Gabriel Rossetti—quickly conquer the upper reaches of English society. (The English aristocracy is drawn to the ``new money'' that Fifth Avenue rejects.) First, Brazilian-American bombshell Conchita Closson marries a disreputable younger son of an English marquis at the races in Saratoga, where Miss Testvalley has just joined the neighboring St. George family as governess. Then- -after a series of social snubs in New York—Conchita and her mother; Virginia St. George and Lizzie Elmsworth (Conchita's best friends); their socially aspiring, somewhat foolish mothers; and Miss Testvalley all set sail for London. There, through Miss Testvalley's offices, the beautiful Virginia St. George marries the respectable elder brother of Conchita's husband, and the dark and wily Lizzie Elmsworth marries a prominent MP. But the ostensible heroine here—and, inadvertently, the most successful social climber of them all—is Virginia's insignificant-looking but kind and intelligent younger sister, Annabel (Nan), who's prevailed upon to marry a socially exalted but utterly unloveable stick of a duke. The novel's last third tracks Nan's decision to divorce the duke, marry her true love—English gentleman Guy Thwarte—and flee with him to Greece. But what Nan never finds out is that her decision robs the deserving, adoring real heroine here, Miss Testvalley, of her own secret late-life lover—Guy's father, who suffers a heart attack on hearing the news about Nan and his son. Not entirely knitted together—some awfully vivid characters just drop from sight—but, still, this is wonderful to read. (First printing of 50,000; Book-of-the-Month Dual Selection)
Pub Date: Sept. 1, 1993
ISBN: 0-670-85219-9
Page Count: 384
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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