Emotion and reflection contend for prominence with superficiality; the former win, but barely.
The octogenarian Irish novelist, playwright, poet, biographer (and more) revisits her rich and sometimes rowdy life.
The best sections of this episodic memoir are the first and final quarters of the text. In the first, O’Brien (Saints and Sinners, 2011, etc.) writes affectingly of her girlhood—her memories of being attacked by an ill-tempered dog, of playing with dolls in her dining room, and of discovering and nurturing her interest in literature and writing. “The words ran away with me,” she writes. She worked in a pharmacy in Dublin but soon fled when the seductions of sex and literature and celebrity whispered that she could have a very different life than the one she was experiencing. Her account of her marriage to writer Ernest Gébler is grim and often depressing (understatement: he was not happy about her literary success), but she eventually left him, battled for custody of her children (she eventually won) and soared off into celebrity, a state that consumes the middle—and weakest—sections of the book. She seems determined to list every famous person she encountered, and the roster seems endless—John Osborne, Robert Mitchum, Paul McCartney, R.D. Laing (who became her therapist), Harold Pinter, Gore Vidal (she stayed at his Italian villa), Arthur Schlesinger and Norman Mailer. On and on go the names, a virtual phone book of the famous. These sections are mere molecules on the surface of some much deeper issues that she neglects. In the final quarter, O’Brien returns to some effective ruminations about finding a place that’s “home” and about feeling mortal—even old (an encounter with Jude Law is poignant). Near the end, she revisits her abandoned girlhood home, drifting through it and remembering.
Emotion and reflection contend for prominence with superficiality; the former win, but barely.Pub Date: April 30, 2013
ISBN: 978-0-316-12270-2
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Feb. 6, 2013
Kirkus Reviews Issue: March 1, 2013
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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