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THE RIVER’S TALE

A YEAR ON THE MEKONG

For readers who share Gargan’s fascination with the region, an excellent travelogue.

A colorful and closely detailed account of travels along Southeast Asia’s contested lifeline, from former New York Times correspondent Gargan (China’s Fate, 1990).

Aiming for a more primal Asian experience than he’d experienced as a foreign bureau chief, Gargan planned a yearlong voyage combining scholarship, passion, and adventurous exploration on the Mekong River, which propelled him through China, Burma, Laos, Thailand, Cambodia, Vietnam, and Chinese-occupied Tibet. He depicts vast cultural differences and bitter political squabbles among these nations, bound together only geographically by the Mekong. Everywhere Gargan finds the unhealthy aftertaste of colonialism: “Whether the French, or the Americans who followed them, it was the foreign presence that had largely underpinned the course of events in 20th-century Southeast Asia, mostly for the worse.” Wisely keeping his journalistic eye trained on the human aspects of his journey, the author describes encounters with a variety of Asian citizens, from Tibetan master potters and Buddhist monks to rogues who pilot battered vessels, all of whom are pleased to practice their English on him. These conversations reveal resigned acceptance of authoritarian regimes incongruously combined with enthusiasm for European tourism and American pop culture. Although Gargan’s narrative meanders almost as slowly as his actual voyage, it accrues power as he travels through successive countries, assessing the harsh costs of war and kleptocracy. In Cambodia, for example, he finds the social destruction wrought by genocide lingering beneath the surface of optimistic recovery, while a popular nightclub in Saigon patterned after the film Apocalypse Now demonstrates that the Vietnamese remain dominated by the conflict they supposedly “won.” Elsewhere, the author’s portraits of impoverished rural Chinese and Tibetans chafing under the central Communist government’s Kafkaesque privations are extremely affecting, as is his journey through xenophobic, still-isolated Laos.

For readers who share Gargan’s fascination with the region, an excellent travelogue.

Pub Date: Jan. 30, 2002

ISBN: 0-375-40584-4

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2001

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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