A gimmicky guide to taking effective action. It's difficult to believe that the author of the substantive inquiry into creative thought reviewed above could also be responsible for the sketchy, lightweight tract at hand. Be that as it may, de Bono (who with evident satisfaction admits to having completed the manuscript on a flight from London to Auckland) offers a simplistic footwear framework designed to help individuals take appropriate control under varying circumstances. As in his Six Thinking Hats (1986), he focuses on a half-dozen alternatives that supposedly can be mixed and/or matched. In ascending order of complexity, the possibilities encompass: ``Navy Formal Shoes'' (for routine drills or procedures); ``Grey Sneakers'' (information gathering, research); ``Brown Brogues'' (hard work, frequently requiring street smarts or initiative); ``Orange Gumboots'' (emergency actions in which safety may be a prime concern); ``Pink Slippers'' (compassion, sensitivity to human needs); and ``Purple Riding Boots'' (official authority). Whatever the merits of these toehold paradigms, the author is not putting his best foot forward. On the printed page, in fact, his sole-mates are exposed as little more than antic conceits likelier to lead to derision than productive performance. At one stage, he has an apocryphal corporate executive faced with the necessity of firing a loyal and longtime employee enjoin a subordinate to: ``Put on your pink slippers, and deal with the situation.'' In like vein, another imaginary underling charged with containing an incipient scandal is told: ``It's orange gumboot mode. We have to move very fast.'' While pedestrian claptrap of this sort might help a few readers to give themselves an occasional kick start, most would be well advised to ankle on by.

Pub Date: Nov. 15, 1991

ISBN: 0-88730-513-X

Page Count: 192

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1991

Did you like this book?

No Comments Yet


This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

Did you like this book?

No Comments Yet



Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?