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NIGHT TRAIN BLUES

A nostalgic amble down the overgrown paths of an unhappy childhood, from the Ithaca novelist whose earlier, hard-boiled voice (Wolf Tickets, 1986, etc.) seems suddenly to have gone all runny and soft. Jerry Langley, like most sensitive boys who narrate domestic novels, is surrounded by grownups who could hardly manage to make his life more unpleasant even if that had been their intent. His father, a WASPy New York business executive, is stiff and absent- -often literally so, since he has a mistress in the city and always seems to be looking for an excuse to miss the evening train home to Connecticut. His mother drinks a lot and occasionally tries to kill herself and, although we're not told whether she took up these pursuits as a response to her husband's affair or merely added impetus to them, they don't seem calculated to win back his affections. Young Jerry's first consolation is the company of his rather wild elder brother Robert, but Robert is soon sent away to boarding school and Jerry finds himself with no one to talk to except his nanny, Miss Gilly. Eventually Miss Gilly is also sent away, and Jerry finds little solace in anything except his parents' old photograph albums, which he pores over obsessively in an attempt to understand and re-create his family's history. ``I think I wanted to do more than fill in the dark, empty places in my family's life; I wanted to change it. Of course I didn't succeed.'' Indeed not: Despite the slow anger that young Jerry kindles into a bonfire of resentment against his parents and their world, by the end he doesn't seem to have any better understanding of his feelings than at the start—a confusion of motives that devalues the narrative. No theme emerges beyond the obvious exposition of an unhappy family's unhappiness. Vivid and convincing, but ultimately so inert as to seem pointless.

Pub Date: June 1, 1996

ISBN: 1-877946-71-0

Page Count: 220

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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