Next book

THE SUPREMES AT EARL'S ALL-YOU-CAN-EAT

A novel of strong women, evocative memories and deep friendship.

Well, not Florence, Mary and Diana, but rather three close friends from Plainview, Ind., who, from their adolescence to their maturity, meet to gossip and consolidate their friendship at a local eatery.

Odette, Clarice and Barbara Jean have been inseparable since the late 1960s, when they met in high school. Although Barbara Jean was at first an outsider, she quickly bonded with the other two, and they began calling themselves—and being called by others—the Supremes. The novel opens some 40 years after their salad days, when Odette hears of the death of Big Earl, founder of the eponymous black-owned-and-operated restaurant. (We also find out that this news has been conveyed to Odette by her mother, who’s been dead for six years.) Through both Odette’s narrative and a more neutral third-person perspective, we learn of the trio’s personal problems and the rise and fall of their relationships. Odette, for example, is married to the patient and long-suffering James, and recently, she’s discovered she has cancer. Clarice has long been married to Richmond, a charming cad who’s serially and terminally unfaithful—and she needs to decide whether to leave him or not. And Barbara Jean, who married her husband, 42-year-old Lester, the day after she graduated from high school, is now dealing with his death and confronting the alcoholism that struck unforgivingly with the earlier death of her young son. Throughout the Supremes’ intertwined stories is one constant—meeting and eating at Earl’s All-You-Can-Eat, now run by his son Little Earl, a place where relationships are forged, scandals are aired and copious amounts of chicken are consumed.

A novel of strong women, evocative memories and deep friendship.

Pub Date: March 12, 2013

ISBN: 978-0-307-95992-8

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2013

Kirkus Reviews Issue: Feb. 1, 2013

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview