by Edward Kelsey Moore ‧ RELEASE DATE: March 12, 2013
A novel of strong women, evocative memories and deep friendship.
Well, not Florence, Mary and Diana, but rather three close friends from Plainview, Ind., who, from their adolescence to their maturity, meet to gossip and consolidate their friendship at a local eatery.
Odette, Clarice and Barbara Jean have been inseparable since the late 1960s, when they met in high school. Although Barbara Jean was at first an outsider, she quickly bonded with the other two, and they began calling themselves—and being called by others—the Supremes. The novel opens some 40 years after their salad days, when Odette hears of the death of Big Earl, founder of the eponymous black-owned-and-operated restaurant. (We also find out that this news has been conveyed to Odette by her mother, who’s been dead for six years.) Through both Odette’s narrative and a more neutral third-person perspective, we learn of the trio’s personal problems and the rise and fall of their relationships. Odette, for example, is married to the patient and long-suffering James, and recently, she’s discovered she has cancer. Clarice has long been married to Richmond, a charming cad who’s serially and terminally unfaithful—and she needs to decide whether to leave him or not. And Barbara Jean, who married her husband, 42-year-old Lester, the day after she graduated from high school, is now dealing with his death and confronting the alcoholism that struck unforgivingly with the earlier death of her young son. Throughout the Supremes’ intertwined stories is one constant—meeting and eating at Earl’s All-You-Can-Eat, now run by his son Little Earl, a place where relationships are forged, scandals are aired and copious amounts of chicken are consumed.
A novel of strong women, evocative memories and deep friendship.Pub Date: March 12, 2013
ISBN: 978-0-307-95992-8
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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