This will mean a great deal to a great many people. It should be a major prize contender, and it won’t be forgotten.

Our Verdict

  • Our Verdict
  • GET IT

  • National Book Award Finalist

  • National Book Critics Circle Winner

  • Pulitzer Prize Winner

THE KNOWN WORLD

Slave-owning by free blacks in antebellum America is the astonishingly rich subject of this impressively researched, challenging novel debut by Faulkner Award–winning Jones (stories: Lost in the City, 1992).

Set mostly in the period 1830–50, many nested and interrelated stories revolve around the death of black Virginia farmer and slaveholder Henry Townsend, himself a former slave who had purchased his own freedom, as was—and did—his father Augustus, a gifted woodcarver. Jones’s flexible narrative moves from the travail of Augustus and his wife Mildred through Henry’s conflicted life as both servant and master, to survey as well the lives of Armstrong slaves, from their early years on to many decades after Henry’s passing. The first hundred pages are daunting, as the reader struggles to sort out initially quickly glimpsed characters and absorb Jones’s handling of historical background information (which virtually never feels obtrusive or oppressive, thanks to his eloquent prose and palpable high seriousness). The story steadily gathers overpowering momentum, as we learn more about such vibrant figures as Henry’s introspective spouse Caldonia, his wily overseer Moses, the long-suffering mutilated slave Elias and his crippled wife Celeste, the brutal “patrollers” charged with hunting down runaways (one of whom, duplicitous Harvey Travis, is a villain for the ages), and county sheriff John Skiffington, a decent man who nevertheless cannot shrug off “responsibilities” with which his culture has provisioned, and burdened, him. The particulars and consequences of the “right” of humans to own other humans are dramatized with unprecedented ingenuity and intensity, in a harrowing tale that scarcely ever raises its voice—even during a prolonged climax when two searches produce bitter results and presage the vanishing of a “known world” unable to isolate itself from the shaping power of time and change.

This will mean a great deal to a great many people. It should be a major prize contender, and it won’t be forgotten.

Pub Date: Sept. 1, 2003

ISBN: 0-06-055754-0

Page Count: 400

Publisher: Amistad/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2003

Did you like this book?

No Comments Yet

Miller makes Homer pertinent to women facing 21st-century monsters.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

Reader Votes

  • Readers Vote
  • 21

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Did you like this book?

more