Slow at times, though the heartfelt glimpse of the afterlife and fears of judgment will strike a chord with many readers.
Packard’s (All it Takes, 2011) novel imagines an atheist’s experience in the afterlife.
Living out his waning years in an assisted living facility, 80-year-old Jack Treadwell isn’t surprised by his own death so much as he is by his final destination. As an atheist, he’s amazed to find himself in heaven, or at least a place that seems very much like it. Long-dead acquaintances and historical figures ranging from Abraham Lincoln to Studs Terkel traverse cloudlets, communicate freely and vanish as only spirits can. A figure resembling St. Peter informs Jack that his judgment—which will send Jack to eternal hell or eternal bliss—has been put on hold because God is in a sort of crisis. The creator of all things has become disillusioned with people. His teachings have been distorted by religion, his granting of free will to humans has resulted in centuries of bloodshed, and people like Jack think they can simply apologize for their misdeeds and receive eternal salvation. As Jack reflects on his time on Earth and learns more about the reality of the afterlife, readers are taken on a journey of personal inquiry featuring familiar feelings of guilt for past wrongs. Readers with undeveloped (or indifferent) ideas of the afterlife will likely relate to Jack and his concerns. How “good” does one have to be to enter the kingdom of heaven? Jack’s cloudlet surfing can prove dull at times, as when he takes a brief walk with Charles Darwin—a stimulating idea that may prove too heavy-handed for some. Nevertheless, Jack’s vision of the afterlife is decidedly as worrisome and varied as the character himself.
Slow at times, though the heartfelt glimpse of the afterlife and fears of judgment will strike a chord with many readers.Pub Date: June 8, 2013
ISBN: 978-1484811702
Page Count: 208
Publisher: CreateSpace
Review Posted Online: Aug. 19, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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