Yanagihara presents a cautionary tale about what can happen when Western arrogance meets primeval culture.

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THE PEOPLE IN THE TREES

An instance of that rare subgenre of literature, the anthropological novel, in which Norton Perina, winner of the Nobel Prize in medicine, traces the early part of his life, when he helped both discover and destroy a lost tribe.

Yanagihara does everything she can to establish verisimilitude in this novel, so much so that the reader will be Googling names of characters to see if they’re “really real.” The movement toward ultrarealism extends to footnotes and an appendix provided by Ronald Kubodera, whose friendship with Perina extends even into the sad period when the Nobel Prize winner was convicted of sexual abuse involving some of the tribal children he brought back with him. Kubodera provides a preface in which he vigorously defends Perina, and then the narrative is turned over to Perina’s memoirs, which take us back to his Midwestern upbringing, his rivalry with his brother Owen, his graduation from Harvard Medical School and almost immediate hire by the anthropologist Paul Tallent. Along with his assistant Esme Duff, Paul takes Perina to U’ivu, a constellation of remote islands in the South Pacific. Perina becomes immediately fascinated with Ivu’ivu, an island that harbors a small tribe, a number of whom are well over 100  years old. Perina traces this longevity to the eating of an opa’ivu’eke, a sacred turtle whose meat is consumed in certain ritualistic practices. Determined to find out the secret of immortality, Perina brings back three Ivu'ivuian "dreamers" with him and smuggles an opa’ivu’eke into his lab at Stanford.

Yanagihara presents a cautionary tale about what can happen when Western arrogance meets primeval culture.

Pub Date: Aug. 13, 2013

ISBN: 978-0-385-53677-7

Page Count: 432

Publisher: Doubleday

Review Posted Online: May 30, 2013

Kirkus Reviews Issue: June 15, 2013

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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