Military historian Hoyt (Angels of Death, 1994, etc.) joins a long list of writers who've set out to explain exactly what happened at the Little Bighorn (for the most recent, see Earl Murray's Flaming Sky, p. 804), but his own account improves on none in either particulars or perspective. On June 25, 1876, Brevet General George Armstrong Custer and the 7th US Cavalry attacked a large encampment of Sioux and Cheyenne on the Little Bighorn River and were wiped out to a man. And though no eyewitness left any substantiated account, the event became the centerpiece of hundreds of examinations in print and film. Hoyt's version of the story is particularly mundane and even occasionally silly, running through the well-worn facts leading up to the military debacle, then tossing in a fanciful account of Custer's personal demise at the hands of a warrior named ``Big Muskrat.'' Writing more in the manner of a technical report with dialogue than of a novel or even ``novelization,'' Hoyt sprinkles military reports throughout for authenticity, but the dialogue exchanges seem like parody or material for a Saturday Night Live sketch. One running joke, for example, is Grant's and others' irritation that subordinates consistently use Custer's brevet ranknot exactly great comic material. Meanwhile, Grant comes off as an irascible but wise old man; Sherman and Sheridan sound like petulant fraternity boys. Hoyt concludes with a pedantic and generally incorrect assessment of the US government's Native American policies in the form of a ``historical note.'' Adequately researched, but pretentious and poorly presented, unworthy of its subject and of Hoyt's reputation.
Pub Date: Sept. 1, 1995
ISBN: 0-312-85533-8
Page Count: 320
Publisher: Forge
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1995
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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