Death in a closeknit family brings disturbing revelations of infidelities and betrayal as Goudge (Thorns of Truth, 1998, etc.) offers an absorbing and persuasive, if sometimes predictable, take on sibling rivalry. A few days before Dr. Vernon and Lydia Seagrave are to celebrate their 40th wedding anniversary, Lydia picks up a gun and shoots her husband. And when the police arrive, she provides no explanation for her action. Younger daughters Kitty and Alex live near the family home on the California coast; eldest sister Daphne, a novelist, has to fly in from New York, leaving her husband, Roger, behind to take care of their children. As the three sisters struggle to understand what motive Lydia could possibly have had for killing their father, whom she claims she still loves, they find old rivalries resurfacing. Daphne has always been her mother’s favorite, Kitty has sided with Daphne, and Alex was her father’s pet. Now, she can—t forgive her mother and won—t help Daphne and Kitty as they try to understand Lydia’s uncharacteristic behavior. Their father may have been a pillar of the community, but it seems he led a sordid private life, seducing his wife’s best friend as well as others close to the family and affecting his daughters’ happiness with his arrogant, manipulative conduct. Throughout the investigation and its disclosures, the sisters— lives change in other ways as well: Daphne finds herself falling in love again with Johnny, her high school sweetheart, now an assistant D.A.; single Kitty, wanting to adopt, also falls unexpectedly in love; and now-divorced Alex discovers, as she accepts the truth about her father, that she is ready to resume her marriage. All will be resolved, with, of course, romantic outcomes for all. A sunnier tale of a Daddy Dearest, by a writer who knows how to entertain in a lively and credible way—despite those too neatly programmed happy endings. (Literary Guild super release; Doubleday main selection)
Pub Date: June 21, 1999
ISBN: 0-670-88575-4
Page Count: 400
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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