One thing you can say about Goudge (The Diary, 2009, etc.): She knows the bestseller formula and sticks to it.
Two sisters, one a marginally successful bookstore owner, the other a recovering drug addict, reunite after 30 years. Problems ensue.
Good girl Lindsay is desultorily involved with a handsome lawyer boyfriend who’s as comfortable as a cardigan sweater—and about as exciting. The slick and evil Heywood Group wants to tear Lindsay from her home overlooking the Pacific and build a resort. In an attempt to boost sales at her bookstore, she arranges for bestselling author Randall Craig to do a signing, but he doesn’t show. A bit later, he appears, apologizes, invites Lindsay out to dinner and eventually reawakens her slumbering eroticism. Randall isn’t as perfect as he appears, however, for he’s hiding a family secret. Meanwhile, bad girl Kerrie Ann, Lindsay’s long-lost sister, turns up with problems of her own: a fight against addiction, a six-year-old daughter in foster care, a failed relationship with a fellow junkie and no job skills. Lindsay hires her sister, a high-school dropout who doesn’t know Judy Blume from Harold Bloom, and Kerrie Ann quickly draws the attention of bad-boy-turned-good Ollie, coffee maker and baker extraordinaire. Much of the narrative concerns Lindsay’s efforts to domesticate her occasionally sluttish sister and Kerrie Ann’s attempt to gain custody of her daughter, now in the capable and loving hands of a successful dentist and his wife who do not want to give the child up. Eighty-year-old former stripper Honi Love, a family friend, provides folk wisdom and comic relief. Is redemption possible for Kerrie Ann? Will the good guys win? Will Randall earn Lindsay’s love? Let’s just say the plot is as predictable as the prose is flat.
One thing you can say about Goudge (The Diary, 2009, etc.): She knows the bestseller formula and sticks to it.Pub Date: Oct. 6, 2009
ISBN: 978-1-59315-534-6
Page Count: 336
Publisher: Vanguard/Perseus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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