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MAYBE IT’S ME

ON BEING THE WRONG KIND OF WOMAN

Yet more compelling work from a unique mind.

A master of the long-form personal essay discourses on a variety of subjects.

Novelist, physicist, and writing professor Pollack serves up 16 essays, some previously published in Prairie Schooner, Ploughshares, New England Review, and other literary journals, digging deep into memoir material and other topics of interest to her. Among others, these include whether the shah of Iran could possibly be Jewish, as a friend of her family claimed, and a critical dissection of an antiquated sex education book she was given as a child. “The hideous black-and-white diagram of 'the mother's reproductive system' resembled a disapproving, big-nosed secretary in hideous cat's eye glasses, while the map of 'the father's reproductive system' reminded me of an evil alien with testicles for eyes and a penis and foreskin for the nose," she writes. The author’s candor, curiosity, humor, and gift for phrasemaking are engaging regardless of the topic, many of which are misfortunes of varying severity. Pollack’s childhood was largely unhappy, as she was singled out in school for both her intelligence and her orneriness, but many of her classmates, it turns out, suffered much worse. Later in life, she was “peed on, shot at, and kidnapped”—all in one summer. After her marriage, which produced her lovely son ("I Tried To Raise a Jew and He Turned Out a Communist"), she had little luck with men. There was the "Righteous Gentile”—"When I told my mother I was dating a Polish Catholic, the abyss that opened in our conversation was so deep and dark I could see three generations of our family tumble into it"—followed by a slew of lesser men, documented in the title essay, aptly subtitled "The One Woman Show I'll Never Perform in Public." Why not? At almost 30 pages, it's ripe for a comedy special.

Yet more compelling work from a unique mind.

Pub Date: Jan. 11, 2022

ISBN: 978-1-953002-07-5

Page Count: 240

Publisher: Delphinium

Review Posted Online: Sept. 28, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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