A wonderfully insouciant approach to taking care of those pesky critters that lurk in closets. When Wanda cowers in fear of the monster she’s sure inhabits her closet, her family tries the traditional methods of allaying her fears. Yet Dad shines a light inside, Mom does a thorough cleaning, and her older brother scoffs at her concerns, to no avail. It’s Granny who helps Wanda see things in a different light. Granny believes there just might be a monster hiding inside Wanda’s closet and she cautions her to feel sympathy instead of fear for the poor little guy; after all, she reveals, monsters are notoriously shy. Granny’s unique perspective enables Wanda to overcome her worries. Soon she’s tossing toys, pillows, and other creature comforts into the closet for her resident monster. When it’s time for the monster to move on—Granny advises they only stay for 17 days—Wanda is ready, too. Spinelli (Here Comes the Year, p. 265, etc.) addresses a common childhood dilemma with panache and wit. Fearful closet-phobes will soon be longing for a monster of their own to pamper. Hayashi’s (What Did You Do Today, p. 486, etc.) watercolor-and-pencil illustrations strike just the right balance between pragmatism and whimsy. Vibrantly colored vignettes depicting familiar domestic scenes are juxtaposed with delightfully quirky depictions of a purple, horned, long-nosed, and rather pitiful-looking monster sequestered in the closet. A must for chasing away those nighttime jitters with a hearty dose of giggles. (Picture book. 5-8)
Pub Date: Sept. 1, 2002
ISBN: 0-8075-8656-0
Page Count: 32
Publisher: Whitman
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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