Strongest in its depiction of modern Dublin characters and their entertaining interactions, muddled when it comes to the...
A young woman in Dublin handles a confusing and surprising gain after a deep and personal loss.
After her partner, Henry, dies in a bike accident, Grace spends nearly three months emotionally and physically shut down. Then, with lots of prodding from her parents and best friend, she attempts the barest requirements of living again: going to her job as chef at a local cafe, visiting Henry’s grave, and furnishing the house the two were buying when he died. She thinks she sees Henry everywhere and has to convince herself it’s just her grieving brain playing tricks on her, until he shows up, on her doorstep, in the flesh. But this isn’t Henry, either. It’s Andy, the twin brother from Down Under no one knew existed. Once the initial shock has dropped to a simmer, Grace allows herself to find comfort in Andy’s similarities to Henry while Andy finds comfort seeing the type of life he might have had if his restless, adoptive single mom hadn’t moved him to Australia. They both dabble in magical thinking, teasing at this soap-opera setup to see if it might go in the most soap-opera direction. But Grace (who narrates the bulk of the book) has a straightforward, often droll tone, and Shortall in general focuses on small, daily details over sweeping, dramatic ones. This is a blessing and a curse; it tempers the high drama of the plot into something sweet and (almost) believable. But in the dance between the two she loses sight of the story of grief, which deserves more attention.
Strongest in its depiction of modern Dublin characters and their entertaining interactions, muddled when it comes to the meat of the story.Pub Date: March 12, 2019
ISBN: 978-0-525-53786-1
Page Count: 384
Publisher: Putnam
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
BOOK REVIEW
Michaels’s cluttered style has been noticeably trimmed this time around, which keeps the over-the-top plot moving right...
Good brother, bad brother.
It’s 1984: Rick, a wild young Hollywood star and all-around stud, is boozing heavily and secretly doing drugs—but he’s been warned. His controlling, money-mad, hyper-responsible older brother Philly isn’t going to bail him out next time, or square things with that dated entity referred to only as “the studio.” Skip to 1999: Rick’s sobered up and he’s still going strong. “He had a tinge of gray at his temples these days, but the studio expertly covered it up.” (The prolific Michaels may have been too busy churning out bestsellers to notice that studios haven’t kept actors under contract for decades, but never mind.) Rick skips the dye job, however, when Philly dies in an accident and leaves most of his estate to his ne’er-do-well brother, who gives up acting and takes over the resorts-for-the-rich that Philly was developing, though Roxy, Philly’s trashy wife, resents him for it. Ditto Reba, Roxy’s plastic surgeon daughter: Philly was like a father to her but he didn’t leave her much money. Well, what the hell, Rick wants to make everyone happy and redeem himself, so he lets Roxy take over the Crown Jewel, their flagship island resort—and he makes peace with Max and Tyler, the grown sons who never knew him (Philly paid off their mothers), then befriends tough but cute reporter Gracie Lick, and investigates the mystery of Philly’s parentage. Gee, Philly was adopted! Can it be true that Philly’s real mother, 14 when he was born, is now married to aged billionaire Armand Farquar? And did the young Lorraine rescue her newborn son from a Dumpster when her heartless lover tossed him in and then bravely give him up for adoption? She did! And is her lover, Philly’s father, now the Vice President of the United States? He is! Will reporter Gracie Lick take this unlikely story and run with it? She will!
Michaels’s cluttered style has been noticeably trimmed this time around, which keeps the over-the-top plot moving right along. For the fans.Pub Date: Dec. 30, 2003
ISBN: 0-7434-5779-X
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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