A brilliant novel with much to say about work, family, excess, identity, and love.
A jaded content moderator gets more than she bargained for, on the job and off.
Having been a content moderator at social media site Reeden for an unheard-of 10 years, 30-something Filipina Girlie Delmundo excels at her job. Girlie works in the company’s Vegas location, where her family relocated after her mother and aunts snapped up pricey real estate and then lost everything in the 2008 stock market crash, forcing Girlie’s mother to sell their family home in Milpitas and saddling her with a million dollars in debt. Sardonic, prickly, “battle-hardened bisexual” Girlie uses the money she earns to buy her materialistic mother designer goods and pay down the family debt. In conjunction with L’Olifant, a French company known for its historical theme parks, Reeden acquires virtual reality company Playground, and Girlie meets William Cheung, one of Playground’s first employees and current Global Head of Content Moderation. William offers Girlie a promotion (and a massive raise) to join the Playground team moderating content in real time in the company’s virtual reality landscapes. Playground’s goal is not strictly realism but “larger than life. Realer reality. Sensory overload,” as Girlie observes. As Playground grows, regulatory troubles and scandals—there’s a lingering mystery surrounding the death of Edison Lau, Playground’s founder and William’s friend—swirl around the company. These developments, along with the horrifying realization of the mutual attraction growing between her and the aloof William, threaten the meticulous construction that Girlie has made of her career and her life. With this novel, her second after America Is Not the Heart (2018), Castillo raises the bar for writing about tech and virtual reality, family stories, and workplace romances. Castillo’s gorgeous prose infuses both the real world and the virtual reality landscapes with life. Girlie is an exceptional protagonist, defined by her cutting humor and dogged, almost maniacal independence and rounded out by her fondness for her exuberant, naïve cousin Maribel, the rawness of her feelings for William, and her yearning for true happiness, if she can find a way to let it in.
A brilliant novel with much to say about work, family, excess, identity, and love.Pub Date: Aug. 5, 2025
ISBN: 9780593489666
Page Count: 320
Publisher: Viking
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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