Young readers should sympathize with the compassionate heroine, and perhaps start to feel empathy for others.
An alien detective and his elephant friends return in this second issue-based adventure for grade schoolers, filled with brightly colored photographs of puppet characters.
Ellie Elephant summons Splunkunio Splunkey, her alien friend who is a detective and peacemaker, because there is trouble at school that she doesn’t know how to handle. She explains that a new student is causing problems: “Big Bully Holly Howler. Nobody likes her!” Holly, a purple hippo, is taller than the other puppets: a long-haired zebra named Zena, Ellie and her friend Eli Elephant, a curly-haired lioness, and a pink hoodie-wearing tiger. Holly’s rude, cutting in line and stealing the basketball at recess. She swipes Ellie’s apple for their teacher, and pushes down Zena to take her wagon. Ellie and Eli rattle off a list of Holly’s wrongs, and young readers are likely to think that it’s clear why Holly doesn’t have any friends: she’s just not nice. But Splunkunio refuses to settle for the easy answer. He asks whether Holly acts badly to everyone, and wants to know whether she spends time with other students. When Ellie insists she must have friends somewhere, Splunkunio says, “Not everyone does. Especially people who act like bullies.” The alien urges the friends to treat Holly considerately, even if they continue to dislike her, then vanishes, assuring them they can handle this crisis on their own. Sure enough, when Ellie reaches out to Holly with kindness, everything changes. While this might not be a strategy that works with every bully, the messages in Ashley’s (Splunkunio Splunkey, 2005) tale that generosity can open doors to healing and that loneliness, rather than meanness, can cause kids to lash out remain welcome steps toward empathy. As Ellie learns to look at the world from another’s perspective, young audiences may follow suit. The author’s quirky photographs will either immediately connect with kids or feel too strange to relate to. The puppets are placed in stiff positions, frequently free-standing, sometimes in repeated poses, in a low-background house and a busy schoolroom.
Young readers should sympathize with the compassionate heroine, and perhaps start to feel empathy for others.Pub Date: Nov. 19, 2015
ISBN: 978-1-4808-2218-4
Page Count: 38
Publisher: Archway Publishing
Review Posted Online: Dec. 1, 2016
Review Program: Kirkus Indie
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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