Does little to illuminate a familiar conflict.
In this latest from the pseudonymous Italian Ferrante (Troubling Love, 2006, etc.), a middle-aged woman spends her summer vacation meditating about motherhood.
Leda was born and raised in Naples, but she didn’t feel happy until she escaped at 18 to study in Florence. For her, Florence is a symbol of culture and refinement, while Naples is loud and crude. Now 47, Leda is a university teacher in Florence, long separated from her husband Gianni, another academic, who emigrated to Toronto; her grown daughters, Bianca and Marta, recently joined him, but they stay in close phone contact with their mother. Leda’s summer rental is near the sea in an unspecified town. On the beach she observes an attractive threesome: A young mother (Nina), her small daughter (Elena) and the girl’s doll, with which the pair play. They are part of a larger group of Neapolitans who are sprawled out on the beach. When Elena disappears, Leda finds her and returns her to her grateful mother, but then steals her doll. What’s the reason for this “opaque action”? Does she want to forge a connection to the family, or tap into her own childhood memories? It’s a puzzle; not an interesting one, but there it sits, an indigestible lump. Far more interesting is Leda’s confession, to these total strangers, that she once abandoned her daughters for three years, leaving them with her overworked husband. What triggered her departure was a London academic conference where she was lionized by a professor, who would become her lover, and felt an intoxicating sense of self. Eventually she realized being a mother was her most significant fulfillment. Freedom versus responsibility: This tension underlies Leda’s behavior and ambivalence toward her daughters, which continues to the present. The young mother Nina is Leda’s sounding-board, but Ferrante fails to integrate Leda’s soul-searching with the problems of the fractious Neapolitan family on the beach.
Does little to illuminate a familiar conflict.Pub Date: April 1, 2008
ISBN: 978-1-933372-42-6
Page Count: 160
Publisher: Europa Editions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A forceful record of migration within a family and the dangers and triumphs of our undocumented population.
Sylvester’s second novel interweaves past and present, America and Mexico into the legacy of a family divided by its own stories.
The day of her wedding, Isabel meets her new husband's father’s ghost. Omar is trying to repair the damage he left his son, Martin, and wife, Elda, by persuading Isabel to give him a chance to work toward redemption. The novel treats the appearances of Omar throughout the story with a straightforwardness that both boosts his apparition’s legitimacy and also reveals the weakness in the book, which is a sort of flat tone that belies the moving family narratives. From the wedding day forward, Isabel is met by Omar on the Day of the Dead. The book transitions smoothly from past to present, and Sylvester is in complete control of her story. She gradually documents the original sin that traces trauma throughout the family legacy, revealing the battles and scars that Elda in particular bears, having immigrated illegally in the 1980s with Omar. Ultimately the appearance of Eduardo, Martin’s cousin, brings the past into the present and provides another point of view on Omar. Hospitalizations, rape, incarceration, and marital stress push and pull Isabel as she slowly learns to understand Martin’s family history. The book starts and ends powerfully but struggles in the middle to meet the dynamic needs of its story.
A forceful record of migration within a family and the dangers and triumphs of our undocumented population.Pub Date: March 13, 2018
ISBN: 978-1-5420-4637-4
Page Count: 334
Publisher: Little A
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
PROFILES
McMorris’ strong pacing keeps the two stories zipping along and all its many strings connected for a gratifying conclusion.
Two narratives, one concerning Nazi spies and the other a troubled boy in contemporary Oregon, begin to converge at the halfway point in this novel of espionage, reincarnation and doomed romance.
For the first 100 pages, there is little to connect the two stories, told in alternating chapters. Recently widowed veterinarian Audra is coping with her 7-year-old son’s increasingly erratic behavior. Audra hopes moving cross-country will distance them from the pain of her husband’s death. The other story concerns Vivian, an American diplomat’s daughter, living in London on the eve of World War II. The independent Vivian is conducting an illicit affair with Issak, an American of Swiss descent, who is at university in London. As war becomes inevitable, Issak begs Vivian for help in relocating his family from Germany to Switzerland (he confesses to a lot of holes in his life story: His family is actually German, where they returned after his childhood in America; they’ve been forced by the Nazis to cooperate) by getting information from her father’s intel reports. Vivian is suspicious, but her love for Issak outweighs concerns for international security. As it happens, Vivian is sent back to America, and Issak, who promised to accompany her, is stuck in Germany trying to help his family. Back in Portland, Audra has read a book on the effects of reincarnation on children. The whole thing seems crazy to her, but then the details (Jack’s drawings of Nazis in electric chairs, his obsession with flying, his mumblings in what seem to be German) build a compelling case to a mother at wit’s end. When Audra shares her theories with Jack’s paternal grandparents, they sue her for custody of Jack. Audra feels that her only hope is to research the German name she has, with the help of wounded veteran Sean Malloy, a man Jack is inexplicably drawn to and, unbeknownst to everyone, Vivian’s grandson. Back in the States, Vivian works on a military base as a telephone operator, where she begins a romance with charming military intelligence officer Gene Sullivan. But then one day, Issak contacts her. He is in New York, sent by the Nazis as the head of a secret force sent to invade America. And he asks her to risk everything and trust him again.
McMorris’ strong pacing keeps the two stories zipping along and all its many strings connected for a gratifying conclusion.Pub Date: Nov. 26, 2013
ISBN: 978-0-7582-8116-6
Page Count: 464
Publisher: Kensington
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
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