Ferrante’s lucid rendering of Lila’s and Elena’s entwined yet discrete lives illustrates both that the personal is political...

THOSE WHO LEAVE AND THOSE WHO STAY

From the Neapolitan Novels series , Vol. 3

This third volume of the Neopolitan trilogy continues to chronicle the turbulent lives of longtime friends Lila and Elena, as begun in the enigmatic Ferrante’s My Brilliant Friend (2012) and The Story of a New Name (2013).

With Naples and the looming specter of Vesuvius once again forming the ominous background to the girls’ lives, Elena travels from the city of her childhood, first to the university in Pisa, and then beyond upon her marriage to Pietro, the intellectual heir to an influential Milanese family. Lila’s existence in Naples follows a more brutal and mundane course, but both young women are confronted with the social and political upheavals that echoed across Italy (and the world) during the late 1960s and early '70s. Always rivals as well as friends, Lila and Elena struggle to assert themselves in a landscape of shifting alliances and growing corruption in Naples as well as in a culture where women’s desires almost never direct the course of family life. The domestic balancing acts performed by both women—one leading a life of privilege, one burdened by poverty and limited choice—illuminate the personal and political costs of self-determination. The pseudonymous Ferrante—whose actual identity invites speculation in the literary world—approaches her characters' divergent paths with an unblinking objectivity that prevents the saga from sinking into melodrama. Elena is an exceptional narrator; her voice is marked by clarity in recounting both external events and her own internal dialogues (though we are often left to imagine Lila’s thought process, the plight of the non-narrative protagonist). Goldstein's elegant translation carries the novel forward toward an ending that will leave Ferrante’s growing cadre of followers wondering if this reported trilogy is destined to become a longer series.

Ferrante’s lucid rendering of Lila’s and Elena’s entwined yet discrete lives illustrates both that the personal is political and that novels of ideas can compel as much as their lighter-weight counterparts.

Pub Date: Sept. 2, 2014

ISBN: 978-1-60945-233-9

Page Count: 416

Publisher: Europa Editions

Review Posted Online: July 24, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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