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RUSSIAN TATTOO

A MEMOIR

Without the flair of Gary Shteyngart or the urgency of Anna Politkovskaya—of some interest but modestly so.

In her second memoir, St. Petersburg native Gorokhova (A Mountain of Crumbs, 2010) chronicles a decadeslong clash of cultures between Russia and America.

The author describes the misfortune of being married, against the will of a formidable Stalin-era apartment block of a mother, to a creepy American who wooed her with the thought that Leningrad, as the city was then called, referred to someone other than Vladimir Ilyich Ulyanov. “This is literally Lena’s city, he said, smiling at his own clever manipulation of Russian grammar,” a manipulation involving the possessive form. Possessive: Her husband is nothing but, even if, soon after the papers were signed, he informed her that the marriage would be open. “I didn’t know marriage could be paired with an adjective gutting out the essence of the word’s meaning,” she writes, “but then I didn’t know lots of things.” The years rolled by, and she continued to learn more about her redoubtable mom, who, having “survived the famine, Stalin’s terror, and the Great Patriotic War,” could be as fierce a protector in the new world as in the old. As will happen in America, one marriage gave way to another, and a child arrived and went through all the predictable stages of adolescent rebellion, not least acquiring the tattoo of the title. Still, the same old chores awaited Gorokhova, just as the same kotlety awaited anyone sitting at her table, the “oval-shaped hamburgers” reflecting the cultural collisions that threatened to unmake her life. The tone of the book is tentative, as if Gorokhova is under threat of deportation at any moment, but never meek. The author projects a quiet sense of defiance and provides occasional sharp observations about what it means to be an immigrant in an immigrant society. Overall, however, there are no surprises: The author suffered hard luck and misunderstanding, then redemption of a kind—the usual narrative arc, that is, with a pleasing payoff.

Without the flair of Gary Shteyngart or the urgency of Anna Politkovskaya—of some interest but modestly so.

Pub Date: Jan. 6, 2015

ISBN: 978-1451689822

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: Nov. 1, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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