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THE BOY WHO WENT AWAY

A first novel about dysfunctional family life and coming of age in suburbia that relies on careful writing and a sly wit to distinguish itself from other narratives in this most contemporary of genres. Ignored and confused, Denny Graubart is certain that he's part of ``one of the craziest, bizarre, most twisted families that ever lived.'' For an adolescent boy in New Jersey, circa 1967, his life is indeed difficult. His older brother James is an autistic teenager who lives at home, despite his violent outbursts, and who seems to monopolize the attention of his mother, Harta, who directs most of her love and energy toward her troubled son. Denny, meanwhile, decides to spy on his parents: He taps the phone, pokes peepholes in walls, and snoops in drawers. What he hopes to find isn't clear, but along the way he discovers not only his father's not-so-hidden retreat into alcohol, but evidence that his mother is having an affair with one of James's doctors. No saint himself, Denny provokes his brother's worst behavior and sometimes cruelly torments him. Eventually, his parents recognize his weird and obsessive behavior and send him to a shrink. Denny's Oedipal longings are pretty much on the surface, and his bumbling entrance into puberty focuses on Sabina Satiani, a beautiful girl from the neighborhood who wants to become a nun. Despite Harta's heroic efforts to keep James home, the state intervenes, and Denny finally gets his way, though the end is bittersweet. Gottlieb allows his story to find its proper length—which is short—and builds to the right emotional crescendo. A fine little book.

Pub Date: Jan. 17, 1997

ISBN: 0-312-15070-9

Page Count: 224

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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